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May 4th, 2010, 07:01 AM | #16 |
Major Player
Join Date: Jan 2009
Location: Overland Park, KS
Posts: 233
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Here in Kansas City, there are $200,000 houses and there are $2,000,000 houses. The exact same tools are used to build both houses. No camera on the planet ensures good results. The results are primarily because of the operator. If you know nothing about lighting, framing, etc., then do not be surprised at the poor quality of your finished product.
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May 4th, 2010, 07:24 AM | #17 | |
Inner Circle
Join Date: Aug 2006
Location: Poland
Posts: 4,086
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Quote:
I shoot full HD and record as 1080/25p on both my EX1 and the nanoFlash almost exclusively, but sometimes I need the SD version of my footage as well. There are 2 options to get it without using any software (ClipBrowser/NLE) down-conversion: 1. Either set my EX1's SDI to SD (squeezed), and record the 50 Mbps, 422 IMX SD on the nanoFlash 2. OR, having recorded both SxS and nano in fullHD, play the footage back from the EX1 with SDI set to SD and record SD on the nanoFlash (real-time conversion). Of course, the first method should give a higher quality SD material - the only downside being that I'm not getting any master quality HD the nanoFlash is capable of. Te great advantage is speed (no need for down-rezzing at all). Basing on your experience, which PP settings (especially those influencing Detail rendition) should I be using as the best compromise ?
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Sony PXW-FS7 | DaVinci Resolve Studio; Magix Vegas Pro; i7-5960X CPU; 64 GB RAM; 2x GTX 1080 8GB GPU; Decklink 4K Extreme 12G; 4x 3TB WD Black in RAID 0; 1TB M.2 NVMe cache drive |
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