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March 21st, 2010, 10:13 PM | #1 |
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Made a Boo Boo - Smart People Please Read
Did a 2 camera shoot with my ex-1's.
Cam #1 was 1080, 24p HQ Cam #2 was 1080, 60i SP I need cam 2 to work in the time line w/ cam 1 (Final Cut Pro) I'm sure I can never get cam 2 to look like cam 1, maybe if I deinterlace, but it's not that important. But can I export cam 2 footage to a different format out of the timeline to match the frame rate, etc of cam 1? If so, do I just use the EX settings in my Quicktime drop down menu in FCP? Thank you. |
March 21st, 2010, 11:02 PM | #2 |
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See if you can get Compressor to change one to the other's format.
Maybe go from 60i to 24? Compressor can do a batch process which will lighten your workload.
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Dean Sensui Exec Producer, Hawaii Goes Fishing |
March 21st, 2010, 11:07 PM | #3 |
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Have you TRIED dropping camera two's footage into a timeline with the same settings as camera one? Making 60i footage INTO 24P by placing it in a 24P timeline imparts at least most of the motion characteristics but the clarity is probably lost forever.
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March 22nd, 2010, 06:39 AM | #4 |
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Magic Bullet Frames would likely be able to convert the 60i stuff to 24p pretty well, but I don't know if it would look exactly the same aesthetically.
I assume it's a long duration shoot? I might try to layout one camera (maybe the 24p camera) on a proper timeline and the other camera on it's timeline and determine what you'll actually need in the edit and convert only that which is required for the program.
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TimK Kolb Productions |
March 22nd, 2010, 10:45 AM | #5 |
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What is your final delivery method?
Very different recommendations depending on final format. Like WEB Flash/QT or whatever, SD-DVD, Broadcast NTSC/PAL, hopefully not HD. They are all possible. With AE you can do pulldown or de-interlace, very nicely. |
March 22nd, 2010, 11:06 AM | #6 |
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With Vegas, you would put them both on the same timeline. If the project properties are set to match camera 1, (24p), the clips from camera 2 will be converted to 24p
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March 22nd, 2010, 11:50 AM | #7 |
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Well, the biggest thing was the 24p/60i thing I guess.
I used to get great results using DVfilm's Maker app, which IIRC specifically does the 60i to 24p thing as well as being a classy deinterlacer (only deinterlacing stuff that moves) for HDV. DVFilm - Digital to Film Transfers, Raylight Software for Desktop HD editing Maybe worth a punt.
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