HDV 1080p24 out of the EX1 to laptop question at DVinfo.net

Michael Galvan · February 27th, 2008, 09:32 AM

Hello all,

Quick question: I am doing a shoot later today where I have to stream the HDV 1080p24 out of the EX 1 to my Macbook Pro and capture live using Final Cut Pro.

Does anyone know exactly what is coming out the firewire port when shooting in 1080p24 in the 25mbit mode? Is it 1080i60w/pulldown or is it real 1080p24? I need to know so I know what capture settings to use with Final Cut Pro, as it has both capture modes.

Many thanks!

Paul Kellett · February 27th, 2008, 11:19 AM

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Piotr Wozniacki · February 27th, 2008, 11:47 AM

Michael, it's 24PsF inside 60i with pull-down. I succesfully loaded the m2t's (recorded via i.LINK to my DR60 drive) into a Vegas 1080/60i project, and rendered out to 1080/23.976, with pull-down removal. Plays back like a marvell; in fact the EX1 SP codec is much better than what I got used to with the V1!

Michael Galvan · February 27th, 2008, 12:01 PM

Great, so I guess I will need to capture standard 1080i60 HDV then and do a reverse telecine in post.

Thanks for the info!

Michael H. Stevens · February 27th, 2008, 09:24 PM

I have not tried it as I've been practicing with progressive but if you go that route you can use DVRack/OnLocation via firewire of you like. This will allow you to see what the gammas are doing. May be a good way to go if you are in the studio.

Michael Galvan · February 28th, 2008, 07:54 AM

The shoot when without a hitch ... just captured using the 1080i60 preset in Final Cut Pro. Thanks all.

February 27th, 2008, 09:32 AM	#1
Michael Galvan Major Player Join Date: Sep 2004 Location: New York, NY Posts: 775	HDV 1080p24 out of the EX1 to laptop question Hello all, Quick question: I am doing a shoot later today where I have to stream the HDV 1080p24 out of the EX 1 to my Macbook Pro and capture live using Final Cut Pro. Does anyone know exactly what is coming out the firewire port when shooting in 1080p24 in the 25mbit mode? Is it 1080i60w/pulldown or is it real 1080p24? I need to know so I know what capture settings to use with Final Cut Pro, as it has both capture modes. Many thanks! __________________ www.michaelgalvan.com www.screenanthology.com

February 27th, 2008, 11:19 AM	#2
Paul Kellett Trustee Join Date: Nov 2007 Location: Bristol UK Posts: 1,273	....................... __________________ Round 2 GH5,FZ2000

February 27th, 2008, 11:47 AM	#3
Piotr Wozniacki Inner Circle Join Date: Aug 2006 Location: Poland Posts: 4,086	Michael, it's 24PsF inside 60i with pull-down. I succesfully loaded the m2t's (recorded via i.LINK to my DR60 drive) into a Vegas 1080/60i project, and rendered out to 1080/23.976, with pull-down removal. Plays back like a marvell; in fact the EX1 SP codec is much better than what I got used to with the V1! __________________ Sony PXW-FS7 \| DaVinci Resolve Studio; Magix Vegas Pro; i7-5960X CPU; 64 GB RAM; 2x GTX 1080 8GB GPU; Decklink 4K Extreme 12G; 4x 3TB WD Black in RAID 0; 1TB M.2 NVMe cache drive Last edited by Piotr Wozniacki; February 28th, 2008 at 02:22 AM.

February 27th, 2008, 12:01 PM	#4
Michael Galvan Major Player Join Date: Sep 2004 Location: New York, NY Posts: 775	Great, so I guess I will need to capture standard 1080i60 HDV then and do a reverse telecine in post. Thanks for the info! __________________ www.michaelgalvan.com www.screenanthology.com

February 28th, 2008, 07:54 AM	#6
Michael Galvan Major Player Join Date: Sep 2004 Location: New York, NY Posts: 775	The shoot when without a hitch ... just captured using the 1080i60 preset in Final Cut Pro. Thanks all. __________________ www.michaelgalvan.com www.screenanthology.com

February 27th, 2008, 09:24 PM	#5
Michael H. Stevens Major Player Join Date: Sep 2007 Location: Palm Desert, California Posts: 311	I have not tried it as I've been practicing with progressive but if you go that route you can use DVRack/OnLocation via firewire of you like. This will allow you to see what the gammas are doing. May be a good way to go if you are in the studio.