May 23rd, 2008, 01:01 PM | #526 |
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interview with me about the ex1 and letus ultimate here
http://web.mac.com/philip.bloom/Bloo..._Ultimate.html |
May 28th, 2008, 06:15 AM | #527 | |
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Quote:
like the interview - especially you are very true with your last comments about the Internet... Indeed it is a great chance bringing people and communities together (like on this forum) and meeting real faces at NAB instead of just know an e-mail adress is for sure exiting... I always enjoy such meetings during NAB and IBC for seeing people. (although I wasn'y at NAB this year) So IBC will be next occasion... Ulli |
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May 30th, 2008, 02:53 AM | #528 |
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Join Date: Dec 2007
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Archiving
Dear Phil,
I work with a large broadcaster, that edits on Avid Symphony. They ingest tapes 1/50th of the quality and then do a conform at the end. Is there anyway this can be done with XDCAM? I called the machine room and they say that tapeless systems are really complicated and so they'll continue only working on tape for the time being. Archiving to Blu-ray or XDCAM doesn't work for them. I'd love to buy the camera, but can't see how I can get the work-flow to work. Any suggestions would be warmly welcomed. All the best. JJB |
June 8th, 2008, 02:46 PM | #529 |
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not with the ex1 i dont think as there are no proxies, unless you ingest real time through hd sdi. The f355 and f350 have proxies which can be edited with like this
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June 8th, 2008, 02:47 PM | #530 |
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This is a must read!
http://web.mac.com/philip.bloom/Bloo...ng_list!!.html If everyone on this thread could help out we could make their day pretty special and set them up for the future |
June 8th, 2008, 03:55 PM | #531 | |
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Quote:
You will not have any other solution than recording the SD quality out of the camera or re-compress you HD footage to something smaller, which could be time and computer ressources consuming. Maybe you should use the componant output connected to a DV recorder and send them the tape so they can work in their 10 years old editing solution :) by the way, importing your footage in final cut server and creting a proxy should do the trick but I don't know if they have the same thing in Avid. Pretty sure they do have the same thing :) |
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June 23rd, 2008, 11:52 AM | #532 |
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just ordered this new shoulder mount. Looks great
http://cgi.ebay.co.uk/GLIDERS-Should...d=p3286.c0.m14 |
June 24th, 2008, 09:56 AM | #533 |
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My love affair with my EX1 has hit a large snag
Basically my beloved camera with serial number 3 has been lost after it was being sent in for repair. UPS picked it up, it got lost. Sony say I need proof that UPS picked it up. The tracking number says it was picked up but that isn't enough for UPS incredibly!!! Not very nice really! |
June 24th, 2008, 10:10 AM | #534 | |
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June 24th, 2008, 10:25 AM | #535 |
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this web site doesn't work....
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June 24th, 2008, 10:48 AM | #536 | |
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Don't you have a hard copy receipt from UPS?
Did you insure it? Tracking number should track whether it's delivered or not. If not, UPS is responsible but they only cover the insured amount. I always insure, always get paper receipt, always ship some method which requires proof of delivery (in other words I don't ship ground). Basically if you UPS doesn't show it as delivered it's their responsibility, if they do, it's Sony's. Quote:
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June 24th, 2008, 06:00 PM | #537 | |
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June 24th, 2008, 09:05 PM | #538 |
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If UPS shows the pickup, and you are insured, it is there issue, hands down.
Been through this a few times. They have always reimbursed. Scott K. |
June 25th, 2008, 03:28 AM | #539 | |
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Judging from the pictures, the camera tends to aim downwards a bit - and I can't see any adjustment for the tilt angle...
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June 25th, 2008, 07:24 AM | #540 | |
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got a receipt ...
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