|
|||||||||
|
Thread Tools | Search this Thread |
July 11th, 2005, 09:46 AM | #16 |
Fred Retread
Join Date: Jul 2004
Location: Hartford, CT
Posts: 1,227
|
Steve, when you initially said you compared the two cams with AGC off, did that mean that you could turn off AGC in the 950 also and did so?
__________________
"Nothing in the world can take the place of persistence..." - Calvin Coolidge "My brain is wired to want to know how other things are wired." - Me |
July 11th, 2005, 04:13 PM | #17 |
New Boot
Join Date: Jan 2004
Posts: 9
|
You can turn the mic level to manual in the menu and adjust the level with the knob. I assumed that is turning AGC off. This function is basically the same as on the PD170.
I think you hit it when you said the consumer cams had hotter mics and picked up a little more ambience. The Azden worked O.K. I just have had allot of positive comments about the audio I have been getting on my 950 and wanted to keep that level on the PD170. I am planning to get a super cardioid better matched to the PD170. Now to figure out which one. Thanks for everyones help. It is appreciated. I am a complete newbie on this stuff. |
August 17th, 2005, 08:36 AM | #18 |
Major Player
Join Date: Feb 2005
Location: DuPont, Wa
Posts: 325
|
I use the ME66/K6 setup with ATT ON. It works flawlessy for the stuff I do.. Here's some features of it.. I do documentary style shooting so it works in the case excellent..
Combination of supercardioid at low frequencies and shotgun above 2000Hz Excellent mic for on-camera or interview for ENG/EFP use Will increase gain-before-feedback by using as a podium mic in sound reinforcement |
August 17th, 2005, 04:09 PM | #19 |
New Boot
Join Date: Jan 2004
Posts: 9
|
I ended up buying the ME66/K6 and it works great on the PD170. Thanks for the help.
|
August 18th, 2005, 10:33 PM | #20 |
Wrangler
Join Date: May 2002
Location: Vallejo, California
Posts: 4,049
|
The problem with shotguns is that they sound like, well, shotguns. Nothing like a good studio or cardiod. If your needs are to record, say, bird song (bouts) then you will not like a shotgun in that application.
Rent a few cardiods (not studio microphones, they are too delicate I think) but something along the lines of a AT SM81C or the stereo equivalents. I'm not pushing the AT, it just happens to be the microphone I have for faithfully recording engine exhaust and gunshots. AT claims it is designed as an overhead choir and a cymbal microphone. Cymbals (I'm told) have one of the most aggressive sound envelopes in music and this microphone can handle that type of impulse waveforms with little distortion. I find it works very well at rock concerts too.
__________________
Mike Rehmus Hey, I can see the carrot at the end of the tunnel! |
| ||||||
|
|