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November 14th, 2007, 04:02 AM | #1 |
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New HVR-Z7 released
You can use CF card and HDV tape at the same time!
This is Japanease site; http://www.sony.jp/CorporateCruise/P...00711/07-1114/ |
November 14th, 2007, 04:23 AM | #2 |
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more here...
http://www.google.com/translate?u=ht...&hl=en&ie=UTF8 Translated to english as the original is german. I like the modular approach with removable lens - that complicates matters a little for us potential ex purchasers :) |
November 14th, 2007, 05:27 AM | #3 |
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The price position is strange.. rather close to the EX1. I think most will go straight for the EX1. CF card storage is cheaper but a tad too slow..
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November 14th, 2007, 05:30 AM | #4 | |
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But hybrid tape and Compact Flash!! Excellent - cheap solid state for speed of ingest advantages, yet simultaneous tape recording for archive. Now how long before Sony put CF slots on their Vaios........... |
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November 14th, 2007, 05:36 AM | #5 |
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Holy.....! Didn't see that one coming! Simultaneous recording to tape and CF! How cool is that?!
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November 14th, 2007, 05:37 AM | #6 | |
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It makes me even more surprised that the EX doesn't use CF itself. |
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November 14th, 2007, 05:54 AM | #7 |
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Remember that Grass Valleys Infinity records to CF as well, and that copes quite happily with 10-bit JPEG2000 footage.
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November 14th, 2007, 06:20 AM | #8 |
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It seems to be 1/3" chips, still HDV codec (which I'm not a fan of . . . 25mbps CBR) and CF card transfer time is much slower than SxS.
It looks to be an excellent HDV camera if one really likes that direction though. While the EX1 competes with the HVX200. This camera seems to compete with the JVC 250. My own hunch is that in about a year (NAB 2009?) we'll see an "EX2" with interchangeable lens and possibly XDCAM MPEG2 50mbps 4:2:2. Competition is good and it looks like Sony is aggressively pursuing all competitors. |
November 14th, 2007, 06:32 AM | #9 | |
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Pretty amazing. Sony release a camera that records onto media that you can purchase from any electronics store, and they still get moaned at! Yes, it is HDV. But this is an established codec, with software that supports it across the board. The last thing we need right now is a new codec! For higher bitrates there is the EX etc. This camera is for people that already work with HDV, who still work with tape, and who might also like to work tapelessly without having to change their workflow. |
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November 14th, 2007, 06:40 AM | #10 |
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My query is: why did Sony opt for the highly expensive SxS card system for the EX1 and not for the much cheaper CF card system? Is it possible that the SxS cards are more robust and more error-free? I thought CF card video recording was not possible but both Sony and Infinity are proving otherwise.
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November 14th, 2007, 06:48 AM | #11 | |
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Regards Gareth |
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November 14th, 2007, 07:16 AM | #12 | |
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As far as robustness goes, CF have a proven track record with professional still photography, the branded cards at any rate. The error issue causes confusion: much flash memory may have bad memory locations, but these DO NOT cause data errors. Controlling electronics "maps" them out. You can get zero defect memory - but this gives no fewer DATA errors. It avoids the mapping processing, and is hence slightly faster. Nowadays the underlying performance is so good that the use of zero defect memory is hardly necessary. As far as CF video recording goes, it's not just Sony and Infinity, but Convergent Design and Red as well. Not just CF either, SD is being used increasingly at the consumer end with AVC-HD. |
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November 14th, 2007, 07:19 AM | #13 |
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Well if you follow the logic of an old hand I listened to yesterday this CF card thing is a bad move on Sony's part. He made an excellent point. He can rattle of EVERY recording format that Sony have used, and the final one that really gets him going is the very nice F23, records to the SR1 in a way that no other Sony deck can read. Really nice if you just paid a kings ransom for a HDCAM SR deck.
Panny on the other hand have 3 tape acquisition formats and one tapeless recording medium. Even their soon to be released uber expensive HD camera still uses P2 cards. Now personally I think P2 cards are past their use by date but Sony seem to be having a go at everything that comes along, what next, recording to Rev disks? Still I'd take SxS cards over CF cards any day in a device where they're going to be swapped out very regularly. |
November 14th, 2007, 07:32 AM | #14 | |
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I'm not quite sure the Infinity is selling as well as Panasonic P2 cameras or Sony XDCAM. That doesn't speak to the technology but clearly people aren't "jumping" to a camera because it uses CF.
This post is in the XDCAM EX thread so I can only assume it's for comparison otherwise it would be in the HDV thread. Sony's Juan Martinez has said the EX1 WILL be able to take cheaper 8GB cards (now going for about $200) once they certify the specific cards and offer the EX1 firmware upgrade. While such cards may not be in the typical electronics store there certainly will be cheaper cards than the Sony/Sandisk SxS cards. The MAIN difference will be transfer speed and that is certainly critical for some of us. Even with the "bottleneck" of the hard drive SxS transfer speed will be very fast. That's not "moaning" it's just not the same target market and purpose. XDCAM is also uses an "established" codec. It's a codec that handles certain things better than HDV. Again NOT necessarily the same target market so I'm not sure of your point here. Nothing unusual about using established codecs. P2 mxf is also established and so will AVC Intra. RED will also do just fine with its proprietary codec. If NLEs support it that'll do just fine. It's all workflow and NLE support IMHO. I work in tape now and I don't want to work in HDV. To me, handing a client an HDV tape is a recipe for disaster. Between Canon, JVC and Sony so many formats don't match. Now that's an example of no "established" uniform tape deck that can handle all three variations. Quote:
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November 14th, 2007, 07:50 AM | #15 |
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FZ7 Quick Specs
Translated from Japanese:
NTSC color, EIA standard method, 1080/60 i system 1 / 3 type 3 KURIABIDDO CMOS sensor <br /> total pixels: about 1.12 million pixel effective pixels: 16:9 video shot at about 104 million pixels minimum subject illumination 1.5lx (1/30) 1.5 lx (lux) (1 / 30 second shutter speed fixed, auto - iris, OTOGEIN) ND filter [1],[2]1/4、[3]1/16、[4]1/64 [1] Clear, [2] 1 / 4, [3] 1 / 16, [4] 1 / 64 Lens: KARUTSAISURENZU KARUTSAISU "Barrio ZONA * T" lens Focal Length f=4.4-52.8mm (35mm、16:9 f=32.0-384mm、 4:3 f=39.5-474mm) F = 4.4-52.8mm (35mm conversion, 16:9 at f = 32.0 - 384mm, 4:3 at f = 39.5 - 474mm) Zoom Optical 12X Focus AUTO / MANUAL AUTO / MANUAL Blurring hand correction Optical hand deflection correction Filter diameter 72mm 72 mm HDMI OUT 2 XLR Inputs Recording: The physical format FAT32 File formats HDV MPEG2-TS(.m2t) MPEG2 - TS (. M2t) DVCAM/DV DVCAM / DV AVI Type1(.AVI)/Raw DV(.DV) AVI Type1 (. AVI) / Raw DV (. DV) Recording media (optional) Type1×133 2GB CompactFlash Type1 x 133 2GB or more i.LINK Transfer rate (average) i.LINK connection when 110Mbps @×133/4GB 110 Mbps @ x 133/4GB The corresponding video format HDV1080:60i/24p/30p DVCAM/DV:480/60i HDV1080: 60i/24p/30p DVCAM / DV: 480/60i Recording mode (DVCAM/DV Interval (DVCAM / DV only), a loop, cash (approximately 14 seconds) i.LINK I.LINK 6-pin x 1 Battery NP-F570/770/970 NP-F570/770/970 (optional) I Know it is a bit scattered, it's the best I could do. Blurring hand correction is OIS. No HD-SDI out on the Z7 as far as I can tell. Not native progressive, uses the 1080/60i "wrapper".
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Joel Chappell ArlinMedia.net |
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