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January 29th, 2009, 12:56 PM | #16 |
Major Player
Join Date: Nov 2007
Location: Corpus Christi, TX
Posts: 640
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When I did some low light comparisons using a FX1000 compared to my VX2100, with zero gain on both, I liked the image from the FX1000 better. But it seems like adding gain (grain) is more distracting in HD than SD. While I never really had any grief shooting with high gain numbers on the VX2100, I don't want to do it with HD because the grain is more obvious under the magnifying glass of high definition. At least that was my conclusion.
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January 29th, 2009, 01:25 PM | #17 | |
Major Player
Join Date: Jul 2006
Location: Chicago, IL
Posts: 944
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Quote:
Sony HDV cameras can down-convert in the camera pre-FireWire. So if you're using an older computer you can shoot HD & the capture / edit as if you shot SD. Then, down the road if you want to HD all you have to do is batch capture the footage in HD. Re-render any effects on the timeline in HD & boom, you're done. If you don't need great audio, then the FX1000 can work. But if you want the CF recorder (which I LOVE! on my Z7), & you want professional mics, buy the Z5. Invest in wireless lavs & you'll get some GREAT audio of the people doing their tricks. Plus I LOVE the smooth-slow-motion 120fps burst feature on my Z7. Yes the resolution drops from HD, but it still looks great & it is leaps & bounds better than slowing motion down in post production. |
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