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September 7th, 2006, 11:18 AM
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#1 |
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MPS Digital Studios
Join Date: Apr 2003
Location: Palm Beach County, Florida
Posts: 8,531
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IBC: Sony announces HVR-V1e
http://www.sonybiz.net/cgi-bin/bvisa...k.0&OID=193623
and http://www.broadcastingcable.com/art...=Breaking+News Details: http://www.sonybiz.net/cgi-bin/bvisa...Y=TEMP-HVR-V1E heath
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My Final Cut Pro X blog |
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September 7th, 2006, 11:36 AM
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#2 |
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Major Player
Join Date: May 2005
Location: Europe
Posts: 844
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Can shoot 25p !!!!!!!!!
4% slowdown to get 24p !!! wow shock !! |
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September 7th, 2006, 11:37 AM
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#3 |
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Major Player
Join Date: Jul 2004
Location: Springfield, MO, USA
Posts: 389
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Its great... a new camera... that's better for us... better and better cameras keep coming... soon every kid in America can make a movie...
Now that doesn't mean it'll be a good movie... :) |
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September 7th, 2006, 11:44 AM
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#4 |
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Major Player
Join Date: Jan 2005
Location: Toronto
Posts: 532
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Stu that's the "e" model you're talking about. So the american "u" model probably shoots 24p!
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September 7th, 2006, 11:45 AM
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#5 |
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Major Player
Join Date: Jun 2005
Location: West Point, MS
Posts: 313
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Its set, the HVR-V1E VS. Canon XH. Hope Canon ate there wheaties. Good job Sony
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September 7th, 2006, 11:46 AM
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#6 |
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Regular Crew
Join Date: Nov 2004
Location: WA
Posts: 180
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so, is this just a "pro" version of the FX-7 (with different electronics to do the 50i/25p, XLR, etc.) but with same sensors?
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September 7th, 2006, 11:54 AM
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#7 |
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MPS Digital Studios
Join Date: Apr 2003
Location: Palm Beach County, Florida
Posts: 8,531
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3 CMOS. Dunno about a US version, but I'm sure there will be some sort of news about a potential one.
heath
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My Final Cut Pro X blog |
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September 7th, 2006, 11:59 AM
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#8 |
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Regular Crew
Join Date: Jul 2006
Location: Atlanta, GA
Posts: 45
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SWEET! I'm dying to know what the lux rating is. I didn't see it...
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September 7th, 2006, 12:10 PM
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#9 | |
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Major Player
Join Date: May 2005
Location: Europe
Posts: 844
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Quote:
BY the way, in this file: http://www.sonybiz.net/images/produc...-V1E(brch).pdf it says on the prog scan thing : "The 25p signal is recorded as a 50i signal by dividing each frame into two fields. This allows the 25p progressive footage captured by the camcorder to be played back or fed to an editing suite using existing Sony equipment". So.... are we talking about an in-camera de-interlacer here?? Hmm. Not sure quite what Sony have done. sounds *maybe* like a bit of a fudge to me, but i think we need more info on that. |
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September 7th, 2006, 12:16 PM
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#10 | |
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Major Player
Join Date: Aug 2003
Location: Los Angeles, CA
Posts: 350
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Quote:
"Compatible with existing HDV equipment & software Because the HVR-V1E's 25p scan signal is recorded as a 50i signal (by dividing each frame into two fields) it can be played back or fed to an editing suite using the thousands of Sony professional HDV equipment already in use throughout the world. Existing HDV nonlinear software can edit this 25p scan content and output the final master as: 1. A sequence of still images at 25 fps, for film out 2. A 25fps YUV (uncompressed) HD file, for output to Cinealta products 3. A 25fps SD MPEG2 file, for the highest quality DVD mastering possible 4. A 50i HDV file, for creating an HDV edit master 5. A 50i YUV (uncompressed) HD or SD file, for outputting to Digital Betacam or HDCAM for broadcast" I think the DVX and XL2 do the same thing, i.e. record a 24P signal onto a 60i stream. But it is true progressive scan. Last edited by Tim Le; September 7th, 2006 at 02:10 PM. Reason: Actual sensor resolution not known at this time |
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September 7th, 2006, 12:22 PM
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#11 |
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Major Player
Join Date: May 2005
Location: Europe
Posts: 844
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Yep thanks Tim. After i'd re-read the sony blurb I too came to a similar conclusion that it IS capturing in true-prog-scan but has to chop each frame up and store as interlaced for backwards compatability reasons.
- thanks |
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September 7th, 2006, 12:23 PM
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#12 |
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Major Player
Join Date: Feb 2006
Location: Philadelphia
Posts: 795
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30p more likely?
Wouldn't 30p be more likely for the NTSC version? Assuming they're going to to use the same progressive-frame-divided-in-two type thing, I would expect this to be something more like the original Canon Elura, which had a 30p mode recorded within an interlaced signal.
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September 7th, 2006, 12:27 PM
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#13 |
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Major Player
Join Date: May 2005
Location: Europe
Posts: 844
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Switchable PAL / NTSC ! same as Z1 - excellent stuff.
Also has Hypergain (i guess it will be up to +36dB), and a whole bunch of other stuff. Absolutely the HDV equivalent version of the PD170 and i'd think will be standard issue by media & broadcast companies in the future. |
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September 7th, 2006, 12:27 PM
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#14 |
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Wrangler
Join Date: Dec 2002
Location: Mays Landing, NJ
Posts: 11,801
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Very cool! But since they say the Z1 will still be their "flagship" product, I wonder what features this new camera is missing?
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September 7th, 2006, 12:31 PM
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#15 |
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Inner Circle
Join Date: Feb 2004
Location: switzerland
Posts: 2,133
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As usually , sony is playing the same old game.
take the prosumer cam , paint it in black, add xlr input et voila ! no mention of HD-SDI output, same resolution as the good old FX1 or FX7. We were waiting a bit better from Sony... Now you can tell "You dreamed it, Canon has done it" |
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