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June 24th, 2005, 01:49 AM | #1 |
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A1U review
http://videosystems.com/mag/video_scaling_down_cmos/
14 bit ADC, 5% reduction in chip pixel count in Super Steady Shot mode, CMOS does not need ND filters, digital still camera mode. Sony makes 12.4-megapixel CMOS sensor for Nikon's top-of-the-line digital SLR, has been shipping CMOS sensors since 2003. Spot focus and spot metering anywhere on the screen, same viewfinder as Z1, only 123K LCD, available early fall. There is 5% pixel rediction in pixel count in SSS. This is very interesting. IMHO is used for horizontal only. There are already plenty extra vertical pixels; the vertical pixel count is 1440 and only 1080 are needed for image. Can someone comment on this? Is 5% horizontal pixel count for anti-shake enough? Radek |
June 24th, 2005, 06:18 AM | #2 | |
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I feel like I should add a signature line for myself that says: Warning -- These are the ramblings of a complete newbie. While I'm quite the technonerd, the HC1 will be my first video camera since using my family's betamax camcorder in the 80's. -Mike |
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June 24th, 2005, 07:51 AM | #3 |
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This occured to me. The total is 5% reduction. There could be big horizontal reduction and big vertical addition, making total 5% less. What is interesting is that camera lens is 10:1 zoom with 40-480 range, from what remember. Maybe without video stabilization it is 40-400 and with stabilization 48-480. That would mean about 17% reduction in field of view. Could someone comment with opinion?
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June 24th, 2005, 01:17 PM | #4 | |
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From article:
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If the statement form article is true it'll be the bigest dissapointment at camcorder's market since many years ;) and I won't buy this camcorder. I'm already collecting money for HC1 - I need more that my 3 months salaries (PAL version :( ). It would be too much for decreased quality. Regards |
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June 24th, 2005, 02:20 PM | #5 |
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Would it really make a huge difference going down to 1828 pixels for steady shot when HDV only uses 1440 of those anyways?
I mean a lot of people have a hard time telling the Z1U from a cinealta camera let alone telling how 92 missing pixels will look when they are sampled down to 1440. Besides couldn't you turn off the steady shot? I have never used a camera with electronic steady shot so I do not know if that is something that can be turned off. Even with steady shot reduction that is still a heck of a lot more pixels than most other HD cameras. |
June 24th, 2005, 02:21 PM | #6 |
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I wouldn't worry about the stablization. The 1920x1440 chip has plenty of buffer pixels in the vertical dimension, and a 5% loss would barely be noticable. Remember, it's got to down-sample its 1920 horizontal to 1440 anyway. That's a whopping 33% compared to the 5% they're talking about. Also, 1440-5% is still greater than the 1280 DVCPRO-HD will give.
The interesting comment to me was: "With the very high dynamic range of CMOS and EIP, the A1 does not need the ND filter" I'm also waiting to see what it's 24P capabilities are. Everything I've read about CMOS says they don't need to cheat if they don't want to. -Steve |
June 24th, 2005, 02:56 PM | #7 | |
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-Mike |
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June 24th, 2005, 03:15 PM | #8 | ||
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June 24th, 2005, 06:32 PM | #9 |
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The vertical chip has 1440 pixels and not 1080 so there is plenty of buffer room for even 10%. Come on people even 1745 (10%) x 1080 (no loss since only the middle 1080 of 1440 pixels is used) is better than a 960 x 1080 chip in the FX1/Z1 using pixel shift to jump up to 1440x1080. No recording format except for HDCAM SR can actually record that many pixels. This is the highest pixel count we will find in a camera in this price range. The only two camera that will have a higher pixel count will be the other JVC HD camera that will have 3 1920x1080 2/3" CMOS chips and the SONY 950 Cinealta camera. I know this camera is only a single CMOS chip but this is a lot more resolution than we have ever hoped for in a HDV camera. Heck I would have been just happy with a natural 1440x1080 camera since the recording format can only use 1440x1080 pixels. Anything above 1440 is kind of lost anyways and only helps for a very very very very slight amount of sharpness. Good luck being able to tell the difference between 1745 and 1920 on a HD display. Especially considering that there are only a handfull of displays that can actually show 1920 pixels.
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June 25th, 2005, 01:36 AM | #10 |
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Try this little test for those who cannot understand how much this slight reduction in resolution doesn't really matter.
Scan an image at 1920x1080 and scan again at 1750x1080. The first image scale down to 1440x1080. The 2nd image scale down to 1440x1080. Now try to see the difference between the two. As much as I would also love to have a true 1920x1080 image the fact is that at that high of resolution a small loss doesn't matter as much as it did with SD. |
June 25th, 2005, 01:42 AM | #11 |
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Relize that camera employs RGGBGG pattern Bayer filter, because it is single chip. If was 3-chip camera with alligned pixels, you get 1920 horizontally. Bayer filter image has to be processed, you lose resolution by so. FX/Z1 employ horizontal pixel shift in green channel, pixel shift gain resolution.
Radek |
June 25th, 2005, 03:44 AM | #12 | |
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The solution could be not square pixels (rectangular), but because HC1 and A1 have still function we know the pixels are square :( |
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June 25th, 2005, 05:32 AM | #13 |
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What would interesting to find, if indeed focal length of lens increases by 20% with stabilization. If is the case, then available pixel count in both horizontal and vertical direction be 20% higher without stabilization. If focal length does not change, resolution stays same.
Radek |
June 25th, 2005, 09:23 AM | #14 |
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First of all, I think its a bit weird that Sony would release a 2K and 3.5K camcorder (SD or HD) without OIS or, at the least, EIS that uses spare CCD/CMOS pixels.
Having said that, I guess we can theorize all we want to, but we just won't know for sure how much the image is hit by the EIS until the camera comes out and someone shoots some resolution charts with EIS on and off. If worse comes to worse, then the low-budget film/doc makers seeking the best HD image from a 2K camcorder will use this with EIS off. Under controlled environments with tripods and hand held stabilizers that'll work out nicely (I'm quite certain that the average Hollywood 35mm lens doesn't have IS). With well crafted footage turning off EIS is actually often advantageous because it gets rid of that "floating" feeling sometimes associated with EIS. Frankly, I think this might all be a mute point. I'd bet a dollar that (area 51 stuff here) Canon will release an HDV Optura Xi replacement late this year. OIS, better manual controls and probably MSRP one or two hundred less than the Sony. And I have a sneaking suspicion that Panasonic will release something in this price bracket (possibly GS400 replacement?) with 24P (not too soon though). Hey, its all good. We've got entry level HD cams coming out at 2K. The creative types will work with the limitations and probably come up with some great footage. Exciting times. Philip Williams www.philipwilliams.com |
June 25th, 2005, 01:29 PM | #15 | |
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