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May 14th, 2007, 04:49 PM | #16 | |
Regular Crew
Join Date: Apr 2004
Location: Norway
Posts: 87
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I now have 50 hours of recording with the DR-60, and no problems. If I had to point to something, it must be the PC-OFF-CAMERA button. It is too loose, and it's easy to put it too far. I have several times in the field detected that the button was put to PC instead of OFF. But with the low power consumption, it has not been a problem.
I will also make a bracket for the DR-60 on my pan handle. For 2 reasons. First I think the unit is a little wobbly at the top of the camera in windy conditions, and second I would like to reach the REC button easy. And I really like the size, the possibility to use Sony batteries, and the buffer. Quote:
My problem with the long files are that I have to convert to Cineform to view them on the timeline. The m2t files will go to red frames and freeze the Vegas timeline. |
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May 29th, 2007, 05:16 AM | #17 |
Regular Crew
Join Date: Apr 2007
Location: Johns Creek, GA
Posts: 42
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I have had the same problem with the redframes after using Vegas 7 to import from the DR-60. Incredibly frustrating and time consuming-- almost negates the positive aspects of using the DR-60.
I might understand incompatibility with other NLEs, but one would think Sony would have its act together with its own hardware and Vegas software. Definitely something they need to fix. I have found that shorter clips -- less than 4GB (approx 15-20 minutes) are much easier to work with, since they don't need to be joined. I have gotten into the habbit of stopping and starting between events (such as dance routines) and using the timecode to synch up multi-cams. Also, I have found it easier to copy the enitre directory from the DR-60 to a separate hard drive for editing later. This has worked better than using Sony's file import tools. If anyone knows a trick that I am overlooking, I sure would like to know about it. |
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