|
|||||||||
|
Thread Tools | Search this Thread |
January 4th, 2009, 10:53 PM | #241 |
Regular Crew
Join Date: Dec 2007
Location: Lake Forest, CA
Posts: 106
|
Darn, B&H has the HVR-MRC1K on back order . . .
__________________
Canon XH A1, Sony HVR-MRC1, Premiere Pro 3.2.0, Matrox RT.X2 LE http://www.scsvideo.com |
January 5th, 2009, 12:00 PM | #242 | |
Major Player
Join Date: May 2004
Location: Oxford, UK
Posts: 425
|
Quote:
Looking at footage from my XH-A1 and a friend's Sony FX1 (same optics at the Z1) on the same monitor, the Canon's image is slightly sharper both for moving and static subjects. The FX1000/Z5 is supposed to be an improvement on the older models in this respect, but I've not seen any footage yet. There are two possible sources of improvement: 1) better lens; 2) better MPEG2 encoding. If the Sony image is now as good as the Canon (can anyone else comment?) then it's down to which one feels better to operate, whether the Sony is worth the extra cash (it's about 20% more in the UK IIRC) and whether you think CMOS chips (Sony) are good, bad or indifferent. HTH
__________________
Steam Age Pictures - videos in aid of railway preservation societies. |
|
January 6th, 2009, 11:31 AM | #243 |
Trustee
Join Date: Jul 2007
Location: Novato, CA
Posts: 1,774
|
Which CF cards are people using?
I just got my HVR-MRC1 yesterday and I have to say it's a pretty nice little unit. Smaller than I thought it would be which is nice.
I would like input and to hear of peoples experiences with specific CF cards. Will a 133X card work without problems or should I really look at getting a a UDMA card? Also, has anyone been able to verify if a 32GB card works? Thanks, Garrett |
January 7th, 2009, 12:30 PM | #244 |
Regular Crew
Join Date: Oct 2004
Location: Cambridge, UK
Posts: 57
|
Hi. Got my MRC1 today. Works a dream! The pre-record cache feature is a bit freaky but I'm sure to some it will be invaluable. I'm using a SanDisk Extreme III 16GB which the MRC claims 72 minutes. No problems with dumping the .m2t files to Vegas or Pinnacle 12 via a Firewire CF reader, I can't ask for more really. Come on Canon, learn from this....
Regards, Oliver. |
January 12th, 2009, 07:00 PM | #245 |
Regular Crew
Join Date: Apr 2007
Location: Canton, OH
Posts: 36
|
Time Codes
I have been following this thread for months and I am super excited to purchased tow of these units for my A1s.. but I have a question about time-code.
One of the great features of this work flow is that you have the tapes as back-up. Do the tapes and the files captured to the CF card have the same timecode? If so how is this possible with the 12 seconds buffer? I am just thinking if I were to use the CF card footage to edit the sequence and then down the road I need to restore the project from the tapes, would this work? I have only had to restore a project from the tapes and a back-up file once but it was a lifesaver. Also... how is everyone mounting this to their cameras. I saw the velcro idea. Any other nifty ways? On final question... where can we find a short firewire cable to use with this device or is everyone using a 6 foot cable? Thanks!
__________________
http://2ndmileproductions.com |
January 13th, 2009, 11:23 AM | #246 |
Trustee
Join Date: Jul 2007
Location: Novato, CA
Posts: 1,774
|
File Size Limitation Problems
I just got one of these and used it for the first time this weekend to film a dance recital. One thing I noticed due to the formatting of the CF, the file sizes for the m2t's are limited to approximately 4GB (FAT32 limitation). The unit does start a new file but there are about 3 or 4 frames where there is no audio and the timecode seams off so there is a jump in the picture. I've got the unit set to Cache mode. Has anyone else experienced this and if so have you figured a way around it? If I set the REC MODE to Normal will this make the files smooth?
Other than that I find it a great unit. After I recorded the first half I popped the CF out and plugged it into my laptop and started playing some of the show. People standing around saw it and it generated a good amount of buzz so hopefully it will help video sales. Thanks, Garrett |
January 13th, 2009, 02:38 PM | #247 |
Regular Crew
Join Date: Oct 2004
Location: Cambridge, UK
Posts: 57
|
File Size Limitation Problems
Right-ho. Just done a 35 min continuous shot of nothing much. I get 21 minutes before the 4 gb is up and I lose 6 frames of audio right at the end but no video frames. The next clip just goes on playing with no visible glitch between the 2 clips, just the audio drop (I'm using Vegas). So I guess if you can keep your max shot length under 20 minutes and restart (perhaps durng a moment you know you can work around in the edit) you should be OK.
Hope this helps any, Regards, Oliver. |
January 13th, 2009, 04:49 PM | #248 |
Trustee
Join Date: Jul 2007
Location: Novato, CA
Posts: 1,774
|
Hi Oliver,
That sounds about what I got but I do notice a slight jump in the video also. Are you running the REC MODE in cache or normal? If I would have known that the unit was going to do that I would have done a quick start and stop at an opportune time before the 20min. I have a Sony PCM D-50 that I use for audio recording and that creates a new file seamlessly. All you do is pull the sound to the timeline, connect the files end to end and you can't hear a difference. I wonder if Sony will be able to use an NTFS files system on the CF cards in the future. Brian, I'm using my MRC1 on an XL H1A so the mounting is easy. I just made a custom bracket that connects into the FS bracket that comes with the camera. It looks cool and makes the camea balance better in my opinion. For the XH A1 I would consider making a custom bracket from a thin peace of sheet metal that connected under the camera using the tripod mount. Have it extend backward and off the the right side of the camera (looking from the back) so it would sit roughly where the HD-SDI jack pack sits for the G1. Then have the MRC1 face out with the battery next to the camera. Use a 1/4" x 20 screw to secure it for underneath like it was designed. As far as the timecode I always set to free run and non drop frame so it doesn't matter that the tape rolls after the CF starts to record. I did shoot tape and CF this last weekend and the timecodes are spot on. I got a 1' firewire cable from Fry's electronics locally but I'm sure you can find it online somewhere. I think my cable cost $8. Garrett |
January 13th, 2009, 05:22 PM | #249 |
Major Player
Join Date: Dec 2006
Location: Los Angeles, CA
Posts: 959
|
I don't have one of these units & don't plan on getting one, but can you not just format the CF card as NTFS to get around the 4gig barrier?
|
January 13th, 2009, 06:36 PM | #250 |
Trustee
Join Date: Jul 2007
Location: Novato, CA
Posts: 1,774
|
Bill,
I'm going to try that tonight but I don't know if the unit will recognize the card if it's formatted as NTFS. Garrett |
January 13th, 2009, 06:58 PM | #251 |
Major Player
Join Date: Dec 2006
Location: Los Angeles, CA
Posts: 959
|
I just found the pdf manual I saved long ago & after searching the pdf it seems it's limited to being formatted as FAT32.
|
January 14th, 2009, 12:22 AM | #252 |
Trustee
Join Date: Jul 2007
Location: Novato, CA
Posts: 1,774
|
Yup, confirmed by trial also, won't recognize NTFS.
Sigh. |
January 14th, 2009, 05:28 AM | #253 |
Regular Crew
Join Date: Oct 2004
Location: Cambridge, UK
Posts: 57
|
|
January 14th, 2009, 09:06 PM | #254 |
Major Player
Join Date: May 2007
Location: Ireland
Posts: 579
|
another heads up guys/gals.
I got 2 transcend 133x 32gb cards for mine and they arent fast enough to keep up with all my stopping and starting. It throws the unit into error and you might not notice this until after a few minutes of working. This leads you to rely on your tapes, and you dont want that. I can only assume a faster cf card will help to alleviate this. |
January 15th, 2009, 10:41 AM | #255 |
Regular Crew
Join Date: Apr 2007
Location: Canton, OH
Posts: 36
|
How much stopping and starting are you doing?
__________________
http://2ndmileproductions.com |
| ||||||
|
|