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December 8th, 2006, 01:02 AM | #1 |
Regular Crew
Join Date: Oct 2006
Location: Mossyrock Wa USA
Posts: 65
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Kudos - Miller - Fujinon - VMI - Others...
Just a quick post to thank a bunch of folks.
Greg Boston for help with updating firmware and other issues in recent weeks. Guy Cochrane ( www.devestore.net ) for graciously liaising with Miller to replace the Solo tripod that was too light for the 350. (We may yet have to upgrade to a bigger head as well, since a mere touch on the tripod handle still induces shaking - but the initial purchase was based on published specs that indicated the combination we first bought was adequate. Not so....it's much wiser to go for a much heavier tripod/head combination for the F350). VMI (Al Jones) for visiting asap (today) when we expressed concern about some OOF shots. (He figured the back focus was part of the issue, but Fujinon - via their Washington rep Joshua Ewing - was more than happy to ship the lens to Redondo Beach for testing and a 24-hour turnaround). And others on this forum who have responded to my inquiries with VERY good advice:-) Michael Knight
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All media since 1960. Formerly CP16/Nagra. Currently learning F350/Fujinon HSs18 x 5.5BRM, Mac G5 Quad and FCP Studio. |
December 8th, 2006, 10:01 AM | #2 | |
Major Player
Join Date: Aug 2003
Location: Los Angeles, CA
Posts: 350
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Quote:
I think Nate Weaver is also looking into a larger tripod/head setup. I'm curious to know what you F350 operators are using because I think as a group you are probably more discerning about minute differences in tripod performance. |
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December 8th, 2006, 10:16 AM | #3 | |
Wrangler
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FWIW, in the Texas HD Shootout, when I was operating the F350, it was sitting on a Miller Arrow HD head and was very smooth, but let's not hijack Michael's thread. Let us know for sure Michael when you get your lens back. That was one of my complaints with my original lens was that no matter how certain I was of critical focus, it just never looked HD sharp when viewing on a large monitor. -gb- |
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December 8th, 2006, 11:11 AM | #4 | |
Wrangler
Join Date: Oct 2002
Location: Los Angeles, CA
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Quote:
I wound up buying an O'Connor 1030B and 25L carbon legs. It was not cheap, although it was cheaper than the equivalent rig new from Sachtler. After driving around and trying a lot of Cartonis, Sachtlers and others, I realized that O'Connors was the one head I could go on the long end of the lens with, and get perfect moves and resistance from...Sachtler was close, but O'Connor was better.
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December 8th, 2006, 11:42 AM | #5 |
Inner Circle
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Location: Bracknell, Berkshire, UK
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I use a Vinten Vision 5 head (not to be confused with the Pro 5) with Vinten Fibertec legs. The legs are amazing, rock solid yet very light with a very clever "U" Channel design. The head is a bit on the light side but is great for ENG work and run and gun wgere you don't want to lug around any more weight than you need to. I am looking at getting one of the Secced Sachtler rip-off heads. Identical to the medium/big Sachtlers at less than half the price.
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Alister Chapman, Film-Maker/Stormchaser http://www.xdcam-user.com/alisters-blog/ My XDCAM site and blog. http://www.hurricane-rig.com |
December 8th, 2006, 11:53 AM | #6 | |
Wrangler
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Quote:
Seriously though, I saw the pictures and wondered if it's truly a bargain. My concern would be longevity. They might perform identically when new, but how fast they wear out mechanically might be another story. I've had other tools from that part of the world and the metal alloys don't hold up very well with prolonged use. -gb- |
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December 8th, 2006, 07:13 PM | #7 | |
Wrangler
Join Date: Oct 2002
Location: Los Angeles, CA
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That said, my father runs a small vinyl manufacturing outfit, and they've had to start getting their molds from China because a mold that will cost say, $20K to get made in the midwest will cost them $4500 from their guy in China. And it's just as good. It's not a matter of CAN they make it as good (because they can), it's a matter of DO they?
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December 9th, 2006, 12:16 AM | #8 |
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Join Date: Oct 2006
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Tim.
It was an Arrow 30 head (100mm) on the Solo tripod. The heavy-duty Solo. The Miller rep suspected it was the tripod that was primarily responsible for the shudder/shimmer in shots, so they were happy to swap us out for a more heavy-duty carbon-fiber unit with spreader. I'll post model number when I'm back in the studio next week. However, even with that switch, there is still a distinct movement in any shot at any focal length when I simply touch the handle. It is naturally most pronounced at the long end (full zoom). When the lens comes back, I'll test again and see if this continues. Frankly, I expect it will. Which is not to be critical of the head....the simple fact is that I recommended it because it would "support" the weight of the F350. And it certainly does. That combo was also about $1500 less than the next level.....and it was a judgment call....and one learns.....and now you're getting the benefit:-) In retrospect, I'd say that combo would be more than adequate for something like a JVC HD100 (which we also looked at before opting for the F350). However, while you can use the camera baseplate adjustments and get perfect balance with the F350, and adjust the tilt and pan drag controls and get really great fluid motion, "support" is not the same as "torque control" and "inertia." By this I mean that there is definite leverage trasnmitted from the handle of any tripod, to the head...whatever model head you are using, and whatever weight of camera. The head therefore requires sufficient "inertia" (which can also be referred to as weight) to absorb the "leverage" and "torque" - in that order - that occurs when you grip the handle and begin to pan. (Pan is more sensitive to torque than tilt.....you can work out why for yourself....). Forgive me for repeating myself, but to put it another way, if the head is too light to handle this leverage, it will not have sufficient inertia and it will "torque" (twist) instantly...and your shot will be snafu-ed. Trust me:-)...Even with drag set to what you might think is the optimum, that shudder or wobble will follow you right through your pan.....because the energy that should have been absorbed by the head, is actually looping back and forth between your hand, the handle, and the head.... So what's the bottom line? With an F350, I'd recommend a head that's rated for 50lb "carrying" capacity....(because such a head should be heavy enough to absorb all those fancy words I've been using)....and the sturdiest legs you can afford...even if budget-wise that means going for aluminum and a little extra weight rather than carbon fiber. More importantly - keep an eye on what others are saying here. Someone is going to come up with the "best" unit for this rig....and you do need the "best" to do justice to what this camera is capable of. Personally, I want a rig that will give me a steady shot at full zoom...but until we get the lens back, and then a heavier head for the legs we have, I won't be able to say for sure that we have achieved this. Michael Knight.
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All media since 1960. Formerly CP16/Nagra. Currently learning F350/Fujinon HSs18 x 5.5BRM, Mac G5 Quad and FCP Studio. |
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