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August 4th, 2007, 11:35 AM | #1 |
New Boot
Join Date: Jan 2006
Posts: 11
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XDCAM or HDCAM?
I am currently in the market for a new hd camera. I currently use an xdcam camera live on air about 5 days a week. I have never edited any footage from the camera. I love shooting with the camera and it seems to have great quality. I am currently considering the Sony PDW F350 or a used 700A HDCAM camera. They are both about the same price. I know that the HDCAM camera has a higher bit rate but the XDCAM is a newer technology. Any advice would be greatly appreciated.
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August 4th, 2007, 02:35 PM | #2 |
Major Player
Join Date: Jan 2006
Location: Rotterdam, The Netherlands
Posts: 475
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a thing to think about budget-wise are the lenses, 3/2 HD Glass is a lot more expensive then 1/2 glass.
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August 4th, 2007, 04:33 PM | #3 |
Regular Crew
Join Date: Sep 2006
Location: Calgary, AB
Posts: 118
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I was in the same boat as you.. except we were deciding between the f350, and the hdcam730s (I believe that was the model).
We actually did tests between the cameras and found them pretty similar.. the thing that sold us on the f350 was of course the discs, and the 24p feature, not to mention over/undercranking, thumbnail screen,, etc.. the list goes on =) |
August 5th, 2007, 02:44 AM | #4 |
Inner Circle
Join Date: Dec 2005
Location: Bracknell, Berkshire, UK
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If you intend to do any of your own post production with HDCAM you'll need to hire or buy a VTR. With XDCAM the camera can act as a deck.
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Alister Chapman, Film-Maker/Stormchaser http://www.xdcam-user.com/alisters-blog/ My XDCAM site and blog. http://www.hurricane-rig.com |
August 5th, 2007, 03:54 AM | #5 |
Trustee
Join Date: Dec 2003
Location: Malvern UK
Posts: 1,931
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The 700 is a pretty old camera. Like Alister mentioned the HDCAM camera requires a deck. The 700 cannot do progressive scan modes either. For HDCAM the most demand is for cameras like the 750 or 900. I'm not sure that the 700 would be desired by many productions. I could be wrong though.
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August 5th, 2007, 08:11 AM | #6 |
Major Player
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August 5th, 2007, 08:58 AM | #7 | |
Wrangler
Join Date: Oct 2002
Location: Los Angeles, CA
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Quote:
I shot a really bad independent feature fall of 1999 with the 700A, over the course of a month. It was amazing at the time, seeing the image on the monitor. This was when the 900 was near to fruition, and the idea of shooting 24fps on an HD camera sounded very cool. I didn't understand framerates then as well as I do now, but they were telling me what we were shooting in 30i on the 700A was going to be transferred to film, so it would get the "filmlook 24fps" treatment then. The movie never did, it was a "pending distribution" thing. Wound up looking like a Mexican soap opera. Yuk.
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