Using Sony AX100 with Panasonic GH4 and FZ1000 at DVinfo.net

Paul Chiu · November 30th, 2014, 12:55 PM

This clip marries a AX100, a FZ1000 and a GH4. In that order.

https://www.youtube.com/v/bdMKxIreeu...on=3&vq=hd1080

AX100 set at 3000K and cinematone, -1 EV, 1/60 for the beginning portion
FZ1000 for the overheads, also 3000K, CineV, -1.33, Highlights Shadows -5/+5, 1/60 Shutter priority
GH4 for the wide angles after overhead portion to the end. 3000K and CineV, -1.33, Highlights Shadows -5/+5, 1/60, F/2.8 using 12-35 2.8

The balcony overheads footage by FZ1000 was cropped to eliminate some front rows audience. Why resolution is lowered.

Used Final Cut Pro X to manage angles and titles. There were some tweating on exposure levels but no changes to color, contrast and saturation. All in all, it is possible to get Panasonic GH4 and FZ1000 to match closely with the Sony AX100, but it will take some work.

November 30th, 2014, 12:55 PM	#1
Paul Chiu Major Player Join Date: Dec 2005 Location: new york Posts: 231	Using Sony AX100 with Panasonic GH4 and FZ1000 This clip marries a AX100, a FZ1000 and a GH4. In that order. https://www.youtube.com/v/bdMKxIreeu...on=3&vq=hd1080 AX100 set at 3000K and cinematone, -1 EV, 1/60 for the beginning portion FZ1000 for the overheads, also 3000K, CineV, -1.33, Highlights Shadows -5/+5, 1/60 Shutter priority GH4 for the wide angles after overhead portion to the end. 3000K and CineV, -1.33, Highlights Shadows -5/+5, 1/60, F/2.8 using 12-35 2.8 The balcony overheads footage by FZ1000 was cropped to eliminate some front rows audience. Why resolution is lowered. Used Final Cut Pro X to manage angles and titles. There were some tweating on exposure levels but no changes to color, contrast and saturation. All in all, it is possible to get Panasonic GH4 and FZ1000 to match closely with the Sony AX100, but it will take some work.