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March 2nd, 2006, 02:16 PM | #1 |
Barry Wan Kenobi
Join Date: Jul 2003
Location: North Carolina
Posts: 3,863
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Apple's Report on FCP and HVX200
Looks like Apple's posted a whitepaper on using the HVX with FCP 5.0.4.
http://images.apple.com/finalcutstud..._FCP_Wkflw.pdf |
March 2nd, 2006, 02:49 PM | #2 |
Inner Circle
Join Date: Sep 2004
Location: Sacramento, CA
Posts: 2,488
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Thanks, that looks like good reading. Out of curiosity, how long does it take FCP to ingest P2 data directly and add the Quicktime wrapper, for say 1 GB of video?
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March 2nd, 2006, 04:15 PM | #4 | |
Barry Wan Kenobi
Join Date: Jul 2003
Location: North Carolina
Posts: 3,863
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March 2nd, 2006, 05:19 PM | #5 |
Regular Crew
Join Date: Jul 2005
Location: San Marcos, CALIFORNIA
Posts: 103
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for some reason after reading that doc it makes me want to get that camera over all other cameras now.
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March 4th, 2006, 11:07 AM | #6 |
Inner Circle
Join Date: Feb 2006
Location: Los Angeles, California
Posts: 2,109
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What I learned
Hi all:
Thanks for the tip and link on this white paper. I learned that we can do a layback to a P2 card, at least for short enough project. Now the question is, will any post houses or dub facilities accept a P2 card as a finished work that they can make dubs to tape with? How cool would it be to shoot a show in 720 24PN, edit in FCP in 720P, output back to the card(s), send to a dub house and have the dub house upconvert your 720P P2 "master" to say, HDCAM or something that most broadcasters and clients will accept and then just return your P2 card along with your dub order? Could be a pretty cool way to work for us poor people that cannot purchase a $65,000.00 HDCAM deck? Dan |
March 4th, 2006, 01:24 PM | #7 |
Trustee
Join Date: Feb 2006
Location: USA
Posts: 1,684
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Dan, Have you been able to get the "record to P2" option to work.
I have tried & failed so far. |
March 5th, 2006, 09:43 AM | #8 |
Major Player
Join Date: Apr 2005
Location: Southwest Utah & worldwide
Posts: 398
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Barry: Excellent find on the HVX - FCP White Paper!
Dan: P2 cards are expensive and valuable items to be mailing around. Why not simply budget a cheap Firewire drive into each project, and dump your finished project to the FW drive and mail that?
__________________
Steve Gibby, RED One SN 0008, 2 others. Epic M SN 0008, 2 others, Canon 5D. Linked In - Steve Gibby Instagram - https://www.instagram.com/stevegibby/ |
March 5th, 2006, 10:58 AM | #9 |
Trustee
Join Date: Feb 2006
Location: USA
Posts: 1,684
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I would caution against the word "cheap fire drive"
Make sure you are buying reliable drives. My understanding is that cheap drives crash more often. Am i wrong about that. |
March 5th, 2006, 11:33 AM | #10 | |
Major Player
Join Date: Apr 2005
Location: Southwest Utah & worldwide
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Quote:
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Steve Gibby, RED One SN 0008, 2 others. Epic M SN 0008, 2 others, Canon 5D. Linked In - Steve Gibby Instagram - https://www.instagram.com/stevegibby/ |
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March 5th, 2006, 12:22 PM | #11 |
Trustee
Join Date: Feb 2006
Location: USA
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sorry Steve,
I agree with you. I get a little concerned because I do see people talking on these forums about cut rate drives and am afraid they will give the whole workflow a bad name if they are unreliable. Suggest that you keep a backup drive until the client has recieved and back-uped himself. Backups should be the rule. |
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