Release?

[Brian Petersen]

Barry,

Great info. Is there anything that we can pull from the current cameras out in regards to the higher res/lower sensitivity issue. I mean, how does the XL2 compare to the XL H1 in that regard. Or the Sony FX1 to the PD-150 (don't know if there are more appropriate cameras to compare).

Don't we have some cameras out that are the same chip size, but one is SD and the other HD. Is there substantial loss in light sensitivity? Noise?

Thanks.

[Barry Green]

Originally Posted by Brian Petersen

Barry,

Great info. Is there anything that we can pull from the current cameras out in regards to the higher res/lower sensitivity issue. I mean, how does the XL2 compare to the XL H1 in that regard.

Well, there's the theoretical, and there's the actual. With the XL2/XLH1, the theoreticals would say that you're looking at likely having substantially reduced dynamic range on the XLH1, and reduced sensitivity, in exchange for having so many more pixels and such higher resolution. However, that would demand that all other things be equal, and they rarely are. If the XLH1's CCDs are using some sort of Super-HAD technology or something, perhaps they can perform even better than we would otherwise expect.

Or the Sony FX1 to the PD-150 (don't know if there are more appropriate cameras to compare).

The FX1 is about two stops less sensitive than the PD150.

Don't we have some cameras out that are the same chip size, but one is SD and the other HD. Is there substantial loss in light sensitivity? Noise?

Well, yes, but there's very few apples-to-apples comparisons. JVC's HD1, for example, is a 1/3" single-chip, and it exhibits very very low sensitivity, low dynamic range, and excessive chroma noise. But the FX1 is a 1/3" 3-chip camera and it has comparatively better sensitivity, better dynamic range, and very very low noise. So you can't just do a direct comparison and be able to draw any reliable conclusions just off of the theory behind it.

In practice, the FX1 has lower sensitivity and lower observable latitude than a PD170 does. However, the FX1 is much cleaner in noise performance. Noise and sensitivity go together hand in hand -- the more sensitive, the more noise, so as the engineers tweak for noise performance they also have to give up sensitivity.

In general, no blanket statements can be made as to predicting what actual performance will be, unless all other things are kept equal (which they never are). So you could say that a 1/3" megapixel CCD will be noisier with lower sensitivity and lower dynamic range than the exact same CCD if that CCD was produced in a 350,000-pixel version. But that argument only holds up in the lab because in the real world, that case doesn't exist. You have to judge the final output of each on its own merits, because there are so many interrelated ways that the engineers can tweak performance that a quick glance at a spec sheet just doesn't let you accurately predict what the actual performance is. I think it's safe to say we were all pretty much blown away by the low-noise performance of the FX1 and didn't expect that at all, given the chip's specs. But the lower sensitivity is a side effect of that.

And technology marches on. The PD170's sensors were first released on the market around six years ago, in the first VX2000. The FX1's have been on the market only a year. Lots can change in that amount of time!

So, basically -- we just have to wait and see.

[Brian Sargent]

Coming from the silver age and having just gotten into digital still camera territory, i am wondering where all this is headed. From what I can gather all the chips used in still cameras (except Fujifilm) are CMOS and that the chip providers are few. I understand that Sony chips are in a lot of other bodies under other manufactures (including canon). What I understand Barry to be saying is that the difference is in how the signal is processed after it comes off the chip.

I wonder if the still market and the video market will ever converge in some meaninful way down the road. My experience tells me no, but I am still interested in hearing what anybody thinks about this cross pollination and if we'll ever get the best combination of components in one camera.

[Jon Bickford]

"1 is for single-frame/interval recording. The slowest running frame rate is 12. They said that they were "having trouble with the noise floor" on frame rates slower than 12."

as in serious timelapse? like one frame every minute or so? i sure hope so

[Betsy Moore]

Uh,yes, pixels, great, great, now back to the thread... Sneaking up on the middle of November. Guy behind the counter at Samy's said Panasonic is having trouble making the camera work (take that with the grain of salt), I can hold off shooting til the begining of December but no later, otherwise I'm goingto have to go with my PAL FX-1. Is Panasonic going to wait until Dec. 12 to announce the camera will be available to the first 100 people on the waiting list on Dec 31. Based on past Panny releases, do we have any idea when we'd expect a release date?

[Barry Green]

Originally Posted by Jon Bickford

as in serious timelapse? like one frame every minute or so? i sure hope so

Yes as in serious timelapse. One frame every however often, yes. I don't think they've announced what those intervals are, but on the DVX they had settings for one frame every 15 seconds, minute, five minutes, or even 30 minutes.

[David Mintzer]

Originally Posted by Betsy Moore

Uh,yes, pixels, great, great, now back to the thread... Sneaking up on the middle of November. Guy behind the counter at Samy's said Panasonic is having trouble making the camera work (take that with the grain of salt), I can hold off shooting til the begining of December but no later, otherwise I'm goingto have to go with my PAL FX-1. Is Panasonic going to wait until Dec. 12 to announce the camera will be available to the first 100 people on the waiting list on Dec 31. Based on past Panny releases, do we have any idea when we'd expect a release date?

Its always pretty dicey to plan a shoot based on a camera that is supposed to be released on a given date (s). I would plan my shoot around the FX-1.

[Barry Green]

Originally Posted by Betsy Moore

I can hold off shooting til the begining of December but no later, otherwise I'm goingto have to go with my PAL FX-1.

I don't think there's any chance it'll be out at the beginning of December. They're planning on having a big press event at DV Expo, which is sometime around Dec. 8th. At one point Jan said something about them being delivered in time that they could be under people's Christmas trees, so we're pretty much expecting camera delivery sometime around the 24th...