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May 2nd, 2009, 11:51 AM | #31 | |
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May 2nd, 2009, 11:55 AM | #32 | |
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Put it this one I am shooting professionally for the next few days using the EX3/ Ultimate. I have a 5dmk2 here and a GH1 but this is a pro gig and the only camera I will use for it still is the EX3...we are getting there though!! These DSLR are great B cams for 35mm rigs as they are SO lightweight and awesome in low light. Especially the Canon. The autofocus features on the GH1 stock lens are great (especially facial recognition with memory so you can program it to stay focused on one person and ignore the rest!) but it does do sudden reactionary changes unlike the subtle changes you can do with video cams... |
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May 2nd, 2009, 02:03 PM | #33 |
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Actually I think the 5DMii could very well replace any HDV camcorder had it 24/25p and manual controls. Especially the latter. If you're into narrative film making that is, with controlled lighting, separate audio recording and staged actors. The GH1 on the other hand is way too compressed it seems.
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May 3rd, 2009, 12:43 AM | #34 | |
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Shooting at 720p60 with the GH1 is a strong possibility for, what I would guess, may be the larger population of folks shoot "video" rather than "movies." In fact, I'd venture to guess the number of folks who today want to shoot progressive with high-temporal accuracy is greater than the number who want to shoot p24. :) And, video shooters also have a need (e.g., interviews) for minimum DOF. I'd be curious how you think the GH1 compares to the HM100 at 720p60. I had the HM100's earlier consumer version, the HD7, and I found the tiny "under your nose" controls very difficult to use. PS 1: Another great demo, Phil. PS 2: I had no problem using the AVCHD import function of iMovie 09 to import 720p60 from a prototype GH1. And, once AIC, it edited no differently than HDV. However, despite Pana claiming the 24p is in 60i -- iMovie saw it as 24p and said it could not be imported. It would import into FCP, but it was clearly pure 1080p24. Looks like, unfortunately, the production version is using pulldown.
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May 3rd, 2009, 12:46 AM | #35 |
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agreed...am thinking more along the lines of the people wanting to see their Canon A1s...the lack of proper audio at the moment and the still wobbly sensors still makes me see these DSLRs as B cams...but i WANT them to be A cams!!
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May 3rd, 2009, 12:20 PM | #36 |
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i am sorry if this is stupid Q
but can you zoom when shooting using the camera servo zoom? probably yes but i want to make sure 2- is there a way to see live view at external monitor(sd or hd) when shooting? (for the director to have reference) thanks |
May 3rd, 2009, 03:45 PM | #37 | |
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Don't think so, but not sure... |
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May 5th, 2009, 03:46 AM | #38 |
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i have an english pdf of the manual if interested...please email me at philip@philipbloom.co.uk and i will send it to you...
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May 5th, 2009, 01:00 PM | #39 |
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May 5th, 2009, 03:00 PM | #40 |
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Thanks Phil for all the footage and info... very excited to get me mitts on this cam.
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May 5th, 2009, 05:21 PM | #41 |
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I just have one question:
Was the first clip (the one at RE:Frame) shot at 1/50? Because it doesn't look too smooth compared to say a HV20 in progressive 25fps at 1/50. I know it's different but I wasn't expecting it to be so different in terms of motion feeling. Other than that, the camera looks like a dream come true.
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May 5th, 2009, 06:47 PM | #42 |
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I've seen other 1080p24/25 test shots looking smoother. Maybe it's because of the 60i pulldown removal process?
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May 5th, 2009, 07:20 PM | #43 |
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I believe Phil has a PAL model.
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May 5th, 2009, 07:37 PM | #44 |
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Yep, it is a PAL model that he has and those clips were converted at least twice. I’m not sure if he found a host for his higher quality version.
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May 6th, 2009, 03:52 AM | #45 |
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Sorry, I meant conversion from 50i to 25p.
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