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February 7th, 2003, 05:11 AM | #1 |
New Boot
Join Date: Feb 2003
Location: chennai, India
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Test shoot for the DVX -100 pal cam
I am planning to shoot a three minute test on the new DVX -100 to be transferred to film . Its for a 90 min feature ( mostly indoor) to be fimed in March , I want to buy the camera so this test is a deciding factor , the film is going to be released on 35mm . any suggestions?
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PREETHA |
February 7th, 2003, 06:41 AM | #2 |
Outer Circle
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Location: Hope, BC
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Yes, I have the most important suggestion for you. Before you shoot a 3 minute test with a PAL DVX100, check with the transfer lab about requirements. Example, interlaced or progressive? Shutter settings---locked iris, etc. Also, read that film look article at http://www.dv.com
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February 8th, 2003, 01:38 AM | #3 |
New Boot
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Thanks for the info . I will send an email out to them immdly.
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PREETHA |
February 22nd, 2003, 12:11 PM | #4 |
HDV Cinema
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<<<-- Originally posted by Frank Granovski :Also, read that film look article at http://www.dv.com -->>>
Just to be clear -- the settings for creating a "film look" is the typically NOT what one needs for going to real film.
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February 23rd, 2003, 05:16 AM | #5 |
Tourist
Join Date: Feb 2003
Location: Zamora. Spain
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Transfer to film...
According to what you've said it seems to be that progressive video may not be the best one for transferring to film...and also achieving the film-look isn't the the best choice to it...
I had thought 24p and film-look was mainly targeted to film tranfers. What's the use of 24p and film-look then? I'm in a fog Thanks
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February 23rd, 2003, 06:27 AM | #6 |
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Re: "Just to be clear -- the settings for creating a "film look" is the typically NOT what one needs for going to real film."
The article also has info about film transfers. Felipe, some transfer labs do a better job with progressive, others, interlaced. Check with the transfer lab you intend to use. |
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