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July 23rd, 2004, 10:53 AM
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#16 |
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Barry Wan Kenobi
Join Date: Jul 2003
Location: North Carolina
Posts: 3,863
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The main updates to the chart are the inclusion of the numbers from 37 to 49 (the new close-focus numbers added by the 100A). Also I changed the infinity point to 95, Evin had 93 on the old chart but I find focusing on the moon, etc. that 95 is true "infinity".
The chart numbers for 37-49 are: 1' 11.5" ----- 37 2' 0.75" ----- 38 2' 1.5" ----- 39 2' 2.25" ----- 40 2' 3.25" ----- 41 2' 5.25" ----- 42 2' 6.75" ----- 43 2' 8.25" ----- 44 2' 10.25" ----- 45 3' ----- 46 3' 2.25" ----- 47 3' 4" ----- 48 3' 6.75 ----- 49 |
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August 3rd, 2004, 08:36 PM
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#17 |
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Regular Crew
Join Date: Jun 2004
Posts: 183
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<<<-- Originally posted by Tom Hardwick : In answer to your questions Jonathan, my answers would be 60i for the smoothest video, locked exposure a definate, and locked white balance a necessity. Don't white balance on a white or grey card as that will dilute the beautiful sunset etc... -->>>
OK.. no white or grey card, what do I WB on then? Just eye it? I don't have alot of experience. If I lock EXP and WB would you just recommend building a profile for that? If the sun is peaking out of and going behind the clouds would you still keep things locked or make adjustment to WB, EXP or both? -Jonathan |
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