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June 23rd, 2006, 02:26 PM | #16 |
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30P is great for sports, music videos, DVD delivery, web delivery, etc. It is NOT good for going to PAL, dropping in a 24P timeline or a film bump. It CAN be done but gets messy. For the record, the XL2 does true 30P, not the frame mode...
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June 23rd, 2006, 03:10 PM | #17 |
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I still want to know, does 30p uprez if you are using an upconverting DVD player that uses the faroudja chip set for instance?
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June 30th, 2006, 05:09 PM | #18 |
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yeah, I want to know how to make a 30P DVD as well. Do we have to trigger the progressive flag like 24p dvd when doing the compression?? I don't understand how we can play 30P videos smoothly with an interlaced tv.
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July 1st, 2006, 10:25 PM | #19 |
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All you need to do is tell the mpeg encoder you are using that the material it 29.97 but progressive, not interlaced.
I just took a job were I am shooting 30p. The subject matter is mostly stand up presentations were 24p wouldn't look right. 60i looks like everything else out there so I went with 30p. The last project I did like this got the "that looks really professional" comment in regards to the video quality. |
July 4th, 2006, 08:59 PM | #20 | |
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Quote:
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July 5th, 2006, 04:00 AM | #21 | |
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Quote:
Does it mean that there is no difference to the viewer whether I flag the video as progressive or not as suggested by Bennis? I filmed and edit a travel video in 30P last year. However, the video is very jerky when viewed on TV. |
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July 5th, 2006, 11:29 AM | #22 |
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The jerkiness could come from any number of factors, mostly in your render. If you watch your original tape on a TV, you're watching it in a 60i stream. If it looks fine from the tape, then the source video isn't the problem. Could be bad compression.
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