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March 18th, 2004, 01:58 AM | #16 |
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Tommy, the DV953 does do it.
The 953 is the same as MX500, and the MX300 is a GS70. Look at this expanation http://www.fortvir.net/modules.php?f...view_photo.php
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March 18th, 2004, 02:19 AM | #17 | |
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The 953 doesn't do it as good as the GS100. :-))
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March 18th, 2004, 05:18 AM | #18 |
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Thanks for all your replies.. I just tried to sort out which cams actually shot in 16:9 and which had a "wide mode" and just cropped the image.
Now I know alot more! Tommy, you rank the PDX10 over PD150 and Pana DVX100? Personally I don't know, Ihe never seen it in the "flesh".. |
March 18th, 2004, 06:16 AM | #19 | |
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March 18th, 2004, 06:24 AM | #20 | |
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Here is the link to the Panasonic website in Japan and the MX5000 is the first cam and the GS100 below it. http://panasonic.jp/dvc/gs100k/ki_wide.html As Frank mentioned the MX300 is the PAL equivalent of the Japanese MX3000 and was never released in North America. |
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March 18th, 2004, 06:30 AM | #21 | |
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March 18th, 2004, 11:38 AM | #22 |
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> Pro Cinema on the GS100 combines 16:9 mode, frame mode,
> and its cine-like gamma setting (similar to DVX100 > but non adjustable). Amazing.
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March 18th, 2004, 04:24 PM | #23 | |
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March 18th, 2004, 04:48 PM | #24 |
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"Amazing" is right Ignacio.
Tommy, that GS100 frame grab is something else! So the GS100 has a 16:9 chip? The "frame mode" is progressive scan? Or is it something like Canon's frame mode, which as I understand, is not true progressive. Sorry for these basic questions. I haven't really been following the GS seeing as it's not distributed in the States. Is it European only? What's the best way for someone in the States to get one? |
March 18th, 2004, 05:40 PM | #25 |
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It's sold in Japan only, as Panasonic's flagship consumer cam. For buying info, contact Allan. See the first thread on the MX Forum.
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March 18th, 2004, 08:28 PM | #26 | |
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http://panasonic.jp/dvc/gs100k/kinou.html A MX5000 Powerpoint? Is it in Japanese? I have only seen the MX500 version but I'm not sure where it originated. The DV953's wide mode is definitely high quality (no denying that). Here are my 16:9 frame grabs from the DV953. http://img.villagephotos.com/p/2002-...DV953wide1.jpg http://img.villagephotos.com/p/2002-...DV953wide2.jpg |
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March 18th, 2004, 08:35 PM | #27 |
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Dave, the GS100 is native 4:3 but like the PDX10 it uses the extra pixels on the CCD to creat a high quality 16:9 mode.
Illustration of how the PDX10 achieves its 16:9 mode. http://img.villagephotos.com/p/2003-5/74415/PDX10.jpg The frame mode on the GS100 is similar to Canon in that it gives a progressive scan look but at the cost of some resolution. Panasonic frame mode can also be found on the AG-EZ50U and PV-DV953. |
May 22nd, 2004, 10:21 AM | #28 |
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May be some people don't know about Sony 16:9 trick in PC330, TRV60/80.
Resolution in 16:9 decreases while zooming. It's hapends because amount of pixels is decreased during zoom is increased. It is illustrated here: http://www.videomax.ru/tests/capaso/...otfairplay.gif I suppose Sony DCR-HC85E and others HC* has the same trick.
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May 22nd, 2004, 06:41 PM | #29 |
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Mikhail, its odd the way some Sony cams reduce the field of view in 16:9 mode. The TRV33 actually documents this "feature" in the manual.
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May 22nd, 2004, 08:56 PM | #30 |
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Are you looking at only low end DV25 cameras?
There are lots of digital cameras that operate in true 16:9 in many formats... Que?
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