|
|||||||||
|
Thread Tools | Search this Thread |
May 12th, 2003, 07:54 AM | #1 |
Wrangler
Join Date: May 2002
Location: Vallejo, California
Posts: 4,049
|
Syncing sound on the timeline
I had to sync up a dialog scene where the view had to cut back and forth as each character spoke. But because of a screw-up in the sound recording, I could only use one sound track and lip sync was obviously mandatory.
Instead of listening to the echo from both tracks and trying to slide them relative to each other, I decided to pan the sound from the main video track to the left and that from the insert track to the right. Much easier (faster) to line up the two sound tracks for me as I could immediately tell which way to move the Insert track and by how much. Editing system: Canopus DVRexRT/RexEdit
__________________
Mike Rehmus Hey, I can see the carrot at the end of the tunnel! |
June 12th, 2003, 11:35 AM | #2 |
Wrangler
Join Date: Feb 2002
Location: Cleveland, Ohio
Posts: 1,933
|
Clever tip! Thanks Mike. I'll have to try that sometime.
__________________
All the best, Robert K S Search DVinfo.net for quick answers | The best in the business: DVinfo.net sponsors |
June 12th, 2003, 04:31 PM | #3 |
RED Code Chef
Join Date: Oct 2001
Location: Holland
Posts: 12,514
|
Very good tip indeed. One that I read in a book somewhere
once... Makes syncing 1000% easier indeed!
__________________
Rob Lohman, visuar@iname.com DV Info Wrangler & RED Code Chef Join the DV Challenge | Lady X Search DVinfo.net for quick answers | Buy from the best: DVinfo.net sponsors |
June 12th, 2003, 06:44 PM | #4 |
Wrangler
Join Date: May 2002
Location: Vallejo, California
Posts: 4,049
|
Reinventing the wheel is my specialty.
__________________
Mike Rehmus Hey, I can see the carrot at the end of the tunnel! |
June 12th, 2003, 09:16 PM | #5 |
Major Player
Join Date: Mar 2003
Location: Bemidji, MN
Posts: 276
|
This is the same method I use. No one told me. Just like you, it made better sense to do it that way, and, it works well.
__________________
"DOH"!!! |
June 13th, 2003, 10:42 AM | #6 |
Wrangler
Join Date: Apr 2003
Location: Philadelphia, PA
Posts: 2,898
|
Hmm never tried that- sounds interesting though. I've always gone by the echo (like you explained) or lined them up with a visual event like a flash from a camera etc. Another way I get good results it not from listening at all but by viewing both waveforms and aligning them.
Thanks for the tip. |
June 17th, 2003, 09:26 AM | #7 |
Inner Circle
Join Date: Apr 2003
Location: Aus
Posts: 3,884
|
another way is with ye ol cheap arsed clap of the hands...
if u dont have a clapper board a nice clap will help in post... also syncing the wave forms as mentioned is another great way... |
June 17th, 2003, 10:58 AM | #8 |
Wrangler
Join Date: May 2002
Location: Vallejo, California
Posts: 4,049
|
Claps and clapboards won't work in weddings and other events where the videographer has to be unobtrusive.
Strobes are also a good source of sync indication. Especially if one has to light up PIP effects. I find hand claps and even clapper boards to not be very effective since the sound seems to start slow compared to a strobe and takes up many frames. A strobe only takes 1-2 frames so it is very evident. Clapper boards were not meant to sync sounds but to sync sound and film where sound is recorded on a separate device. Each to his own, I suppose. I find them all tedious and wish I had a timecode-driven set of cameras and sound recorders.
__________________
Mike Rehmus Hey, I can see the carrot at the end of the tunnel! |
June 19th, 2003, 01:18 AM | #9 |
Inner Circle
Join Date: Apr 2003
Location: Aus
Posts: 3,884
|
mike, i agree the flash works fine for weddings, i only suggested the clap as i have used it to good effect when doing interviews
like u said, each to their own, and there are many ways it can be done.. now to find a camera and minidisc which records SMPTE timecodes ... one can dream... |
June 19th, 2003, 03:36 PM | #10 |
Wrangler
Join Date: May 2002
Location: Vallejo, California
Posts: 4,049
|
I don't know about a minidisk with timecode. But a DAT, for $7,000 is available and one can jam it with timecode from, say, a DSR-570 and have a neat little package for no more than $35,000!
Shouldn't be that way.
__________________
Mike Rehmus Hey, I can see the carrot at the end of the tunnel! |
| ||||||
|
|