September 6th, 2008, 07:39 AM | #181 |
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1080 over HDMI
It seems to be downsampled. How else would it send out 1080i over HDMI ? Does not make sense to upscale from the 720P signal..
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September 6th, 2008, 10:01 AM | #182 |
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Vincent - great news about your review coming up - I'd like to see reviews for this revolutionary technology coming from the full spectrum of possible reviewers , from photographers , fimmakers & videomakers , artist , and consumers . I have seen strong rumors about the new canon 5d upgrade also incorporating this feature so Nikon might not be in the limelight too long. I'm just waiting to see the first d90 with followfocus and mattebox attached . Otherwise all the techspec is premature until some people get the camera in their hands. So let's send out a message to firstowners.
www.kurthbousman.com |
September 6th, 2008, 11:34 AM | #183 | ||
Obstreperous Rex
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September 6th, 2008, 01:42 PM | #184 |
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Here are some user test video links...
Locked exposure: Nikon D90 -- First Footages on Vimeo Manual lens: D90 test footage on Vimeo
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Jon Fairhurst |
September 6th, 2008, 02:14 PM | #185 |
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Chris - that's a good idea - probably with subforums and one might be video from still cameras in general.k
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September 6th, 2008, 08:20 PM | #186 |
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Excellent suggestion! I wonder if the material for anti-aliasing filters is available to the public. Nikon could make some money selling such a filter for MovieMode. I see a number of narrow band filters for telescopes, but nothing that would be an low pass filter.
Last edited by Gints Klimanis; September 7th, 2008 at 02:17 PM. |
September 7th, 2008, 06:46 AM | #187 |
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Humn. Been following the D90 chat in various forums. For what it's worth...
- I shoot video and still all day long is seems- and I use my cellphone for both to scout locations, grab low res Styling Intelligence etc. - I use my ridiculously underestimated digicam for my still work and the HV20 for video production. When pressed for any video no matter how low quality, it's the digicam with 1 minute clips and my cellphone that really shine. I imagine that Nikon ( who reads forums religiously) will 'get it' and jump in on the video market soon. No doubt, Canon and all the main players will 'get it' too... that is WE NEED A 5-12 MEGAPIXEL HYBRID THAT ALLOWS DOF MANUAL FOCUS AND CAPTURES BOTH VIDS AND STILLS for 10- 15 minute takes.When the pleas gets loud enough, they may introduce it. The D90's alleged 5 minute limitation a move in the right direction The Nikon D90 is perfect for still shooters that have a weight/volume budget ( photojournalists for example) but who still want to be able to capture near broadcast capable vids of fast breaking news as they cover events with stills. When I travel for location shoots in still, I NEVER tote my video gear. The vid bag just weighs too much on top of my still bag. So the D90 would be perfect. On the topic of sensor overheating. Simple, shoot in the winter- you should get an hour of vid no problem at 0ºf No. Seriously, the same guys that have figured out 'Hot Packs' to extend battery life of vid gear/digicams in cold weather, should be reading this and figuring out ways to cool the sensor with an add-on device. Indeed, what would it take to pipe a heatsink conduit from near the sensor array to the outside edge of the camera for such a purpose? C'mon Nikon! |
September 8th, 2008, 06:34 AM | #188 |
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HDMI uncompressed capture
Anyone still up for HDMI uncompressed capture ? Cant access one from where I am now ..
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September 8th, 2008, 09:13 AM | #189 |
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I might sell my Letus Extreme for the D90, the combination for photo and video at 35mm DOF is simply too good to pass. The 5min is not a problem either as I intend to use the D90 as a back-up for my video cameras, most artistic shots are under 5min any ways. Audio on an external recorder is not all that bad, this is going to create shock waves.
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September 8th, 2008, 10:34 AM | #190 |
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So will the files show up on the desktop through USB as a nikon drive as they do with my D300 D70 etc.? Will it actually be as easy as importing the clips in FCP as motion jpeg?
USB may be awfully slow for this and the compression not the best, but wow if this is the case. I mean 8 gig SD storage for $50, a built in 3" HD monitor and it comes with an effective 27mm - 150mm VR lens. That's pretty much a perfect prime lens package range to boot. I was going to update our D70 back-up body anyway, but I'm so all over the idea of a camera that I literally hike and ski and snowshoe with regularly around my neck now covering much of what our HD100/Mini35 setup does. Not perfect but the possibilities...man. |
September 8th, 2008, 11:26 AM | #191 |
Obstreperous Rex
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It's USB2, plenty fast enough for HD.
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September 8th, 2008, 12:22 PM | #192 |
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Hey Chris, long time no text.
Agreed...even if it weren't USB2. I meant it more as a "so what"...make coffee and come back and import same as an FH drive or P2 card. Either way it's such a cool new direction that it was a done deal as soon as I heard about it. |
September 8th, 2008, 12:30 PM | #193 |
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aside from the technological breakthrough
What i'm more interested in is what I mentioned before in relation to this technology, and thats the impact it will have on our professions.
A merging like this will surely have a big impact on wedding / event coverage. Im just not quite sure if the photographer will try to muscle out the video guy or vice versa. If it does start to happen, photographers need to thread carefully, the scarlett is just around the corner. They need to be careful they don't start a war they can't win. In relation to the D90, im sure there's already a wedding photographer or two considering offering "video coverage of the vows". Its interesting to think of other areas this could impact. |
September 8th, 2008, 03:23 PM | #194 |
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As a wedding shooter using an SR11... already contemplating the "crossover" potential!
7.2MPixel res stills aren't bad... still need an SLR for larger size pix/formals, but the disciplines are very possibly merging... |
September 8th, 2008, 03:41 PM | #195 | |
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Quote:
I also find myself gravitating toward the Nikon for our own content because it's so small and facile compared to a JVC with a Mini 35 attached. The idea of one camera able to capture in both mediums with no drives and full dof has gotten me more jazzed than anything since HD or 35mm lens adapters and we were some of the first people to shoot with the Mini35. |
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