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#31 |
Inner Circle
Join Date: Jul 2002
Location: Centreville Va
Posts: 1,828
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Yes, both. Blackmagic and AJA make hdmi to sdi converters (and vice versa). For just under 500.00 usd, plus you need battery power or an ac adaptor.
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Boycott Guinness, bring back the pint!!! |
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#32 |
Major Player
Join Date: Apr 2009
Location: ITALIA
Posts: 416
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I know there are cards SxS size that you can put SDHC cards inside. Like this one:MxM Express As far as I know at present they are not good for recording but will playback. So if you shoot in MP4 wrapper you'll be able to handle to your producer what should work like a standard XD-Cam Card that he should be able to see. The cost is only 50$... should be worth the test
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#33 |
Major Player
Join Date: Jan 2007
Location: New York City
Posts: 523
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If you want to play with the big boys, bring the big boy's wallet!
If you want anything with SDI, be prepared for 4 digits in the price. That's all there is too it. Since each company has their own formats, each company will have to R&D their own device. It would be hard for an outside company to provide a cheap product that does everything. Theoretically, you're better off with a pre-existing format but it is a 'professional' format demanding professional prices. I have been a Microwave van operator and have helped out in a Sat truck. I've been there when the photog has just made air and has missed their slot. I think a lot of photogs think they're job is to capture the story--wrong, your job is to get the story on the air. There's a choice you have to make: when to stop shooting and either edit your footage or send it to someone who will. And, as others have said, for now, a laptop is the way to go. Yeah, it would suck because you've got the laptop and these lumps hanging off it to get SDI out but that's what you've got. I've not made an exhaustive study of remote vehicles but I'm guessing most have a desk big enough for a laptop.
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Andy Tejral Railroad Videographer |
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#34 |
Regular Crew
Join Date: May 2009
Location: Dallas, TX
Posts: 73
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I finally got my HM700 and did a setup only using the flip-out screen. I crushed the blacks a little and boosted the chroma. Looked great there. Came home and it was too chroma heavy according to my monitor but the client reported that the clips looked great. He described them as "warm and friendly" and boy, that's the opinion that counts.
I did a quickie cut of four clips and reduced the chroma and posted them at: JVC GY-HM700 Sample Edit I may do the same cut but leave the chroma the way it came out of the camera and get everyones opinion. Maybe later this Friday night or I'll do it Saturday morning. My reduced chroma version is nice but not as great as I wanted it to be. I know the camera has the potential, it's just a matter of getting used to it. |
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#35 |
Regular Crew
Join Date: May 2009
Location: Dallas, TX
Posts: 73
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I forgot to mention that the video linked above was shot at 1920x1080p.
I just noticed that when I put the URL to my sample edit, the URL disappeared in the post above and it was replaced with the title from the page of my sample edit. Nice! I've never seen that before. |
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#36 |
Regular Crew
Join Date: May 2009
Location: Dallas, TX
Posts: 73
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I posted the following message in a new threat called "Example Footage - Interviews"
- - I'm going to give you two links. In the first link I may have gone overboard in boosting the chroma of the picture. In the second link I reduced the chroma in Final Cut. Tell me which you like better. JVC GY-HM700 Full Chroma JVC GY-HM700 Reduced Chroma Don Smith NewsVideo.com |
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#37 |
Major Player
Join Date: Sep 2007
Location: Bellingham, WA
Posts: 457
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Even with reduced chroma (imo) the the skin tones are unnatural, pinkish-red. Or maybe my eyes are off today?
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#38 | |
Regular Crew
Join Date: May 2009
Location: Dallas, TX
Posts: 73
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Quote:
I'll do a new test over this weekend with the camera set to less chroma. |
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#39 | |
Major Player
Join Date: Dec 2006
Location: New York, NY
Posts: 463
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Quote:
it's mpeg2 in a wrapper called .MP4. The .mov files ARE the same mpeg2 codec. Why on earth would you want an obscure format like .mp4 ?
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Sean Adair - NYC - www.adairproductions.com JVC GY-HM-700 with 17x5 lens, MacPro 3.2ghz 8-core, 18gb. (JVC HD200 4 sale soon) |
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#40 | |
Trustee
Join Date: Jun 2006
Location: Burbank
Posts: 1,811
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Quote:
It's all the XDCAM EX codec, right? I just meant if the person's setup is best equipped to handle XDCAM EX in *.mp4 wrappers, why give them in *.mov wrappers? Or mayber I'm just confused. |
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#41 | |
Major Player
Join Date: Dec 2006
Location: New York, NY
Posts: 463
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Quote:
It's all the same codec, and with the HM100 it makes sense to shoot in the format that best suits the recipient or editor. With the HM700, the decision is colored by whether you dropped the extra $500 on the sxs block, and if you want to deal with the extra bulk of carrying it.
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Sean Adair - NYC - www.adairproductions.com JVC GY-HM-700 with 17x5 lens, MacPro 3.2ghz 8-core, 18gb. (JVC HD200 4 sale soon) |
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#42 |
Regular Crew
Join Date: Mar 2009
Location: Portland, OR
Posts: 178
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Well, I heard back from the media player company I contacted... bad news:
"None of them played. While we do support the .MOV and .MP4 file containers; the problem is the codec. It's one of those weird spin-off variants from MPEG-2 which is always tough to find players to support. Ours supports the standard MPEG-2 but not this XDCAM EX format." |
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#43 | |
Regular Crew
Join Date: May 2009
Location: Dallas, TX
Posts: 73
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Quote:
Don Smith - NewsVideo.com |
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#44 |
Major Player
Join Date: Oct 2006
Location: Albuquerque, New Mexico
Posts: 292
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#45 |
Regular Crew
Join Date: Mar 2009
Location: Portland, OR
Posts: 178
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"Ki Pro is priced at $3995 US MSRP"
Maybe not quite the solution that Donald was looking for. |
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