February 11th, 2009, 01:37 PM | #121 |
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February 11th, 2009, 02:05 PM | #122 |
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Convergent Flash XDR Ships With MXF and QT Support -
If Convergent can do it than why can't JVC? Convergent uses the same Sony MPEG 2 codecs. I don't think it is matter of anyone's arrogance. Possibly, maybe, short-sighteness on JVC's part. Because mxf is used by Avid, Adobe Premiere, After Effects, Canopus Edius and others as the file format for editing the Sony MPEG 2 codecs, among other codecs. So it isn't just Avid that they're possibly leaving out.
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February 11th, 2009, 02:07 PM | #123 | |
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With SHXC cards at 2TB and fast write/read speed (way above 35Mb/sec) neither the space or ability to write the signal is no longer the issue. |
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February 11th, 2009, 02:09 PM | #124 |
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Personally, I don't care much about the improvement in technology. Finally a shoulder mounted XDCam EX capable camera that takes industry standard lights, batteries etc. Good enough for me.
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February 11th, 2009, 03:01 PM | #125 | |
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The Sony EX cameras write an .mp4 file inside a proprietary folder structure. It's an mpeg2 codec, that writes to an mp4 container. Sony Vegas will NOT import that .mp4 file and it needs a rewrap to MXF. Thus it appears to me that NONE of these NLEs understand the XDCamEX codec and ALL need a rewrap.
Sony's MXF file format will not drop into Avid. Avid's MXF will not drop into Vegas (or anything else from what I can tell). ProRes QT files apparently will drop into anything, though it is unknown to me if it will drop in with timecode in NLEs other than Avid. The whole thing is a mess. Quote:
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February 11th, 2009, 03:08 PM | #126 | |
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Regarding the file formats and codec, I think this is pretty clear: HD VIDEO RECORDING Recording media: 2x SDHC memory card Class 6 Video recording: Video codec: MPEG2 Long GOP File Format: Quick time format for Final Cut Pro/ISO .MP4 media file format Many edit systems will support one of the above right now - others may offer it in the near future. To have a robust popular system supporting it natively with this deckless, fast workflow NOW, is more than any new HD format release to date has offered. Personally, the more I find out, the more I think this camera suits my needs.
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February 11th, 2009, 03:36 PM | #127 |
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How much footage at highest setting.
Anyone know how many minutes a 32GB card will hold of the highest setting?
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February 11th, 2009, 06:54 PM | #128 | |
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1) Native file recording—world's fastest shoot-to-edit workflow. Native Final Cut Pro format Edit immediately without conversion or transcoding 2) .MP4 file format Available with optional SxS Media Recorder Here's my take: 1) The camcorder has a built-in JVC MPEG-2 codec that records to SDHC cards. These files are wrapped as .MOV. It is not ProRes! To be edited by FCP, the audio will be PCM. The JVC data sheet may have an error: "HQ mode:1920 x 1080/59.94i (.mov only)." Same for 50i. My reasoning is that "HQ" is the highest quality XDCAM EX setting and it would make no sense for it not to be supported by .mp4. 2) IF you add the add the SxS Media Recorder, MPEG-2 XDCAM EX data -- are wrapped as .MP4 and recorded to SxS. Both SP (25Mbps) and HQ (35Mbps) are supported. Therefore, this is a path that's compatible with the Windows/OS X Sony Clip Browser. The Browser imports XDCAM EX for those NLE's -- like FCP via Log & Transfer -- that support native XDCAM EX editing. Premiere, for example, can also natively edit .MP4. The Browser also can batch convert to other codecs -- such as DNxHD. Bottom-line, once you use the SxS Media Recorder, you get the full XDCAM EX workflows that already exist for your NLE.
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Switcher's Quick Guide to the Avid Media Composer >>> http://home.mindspring.com/~d-v-c Last edited by Steve Mullen; February 11th, 2009 at 09:16 PM. |
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February 11th, 2009, 07:15 PM | #129 | |
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http://www.dvinfo.net/conf/jvc-pro-h...camcorder.html The GY-HM100 will record 19, 25 and 35Mbps to SDHC cards. This also includes the ProHD formats and 1440X1080 and 1920x1080 interlaced formats. Wouldn't it be reasonable to think the HM700 would record these all to SDHC, even though the SXS recorder may add additional options? Last edited by Jack Walker; February 11th, 2009 at 08:24 PM. Reason: Typo, changed second "25" to "35" |
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February 11th, 2009, 07:23 PM | #130 |
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Steve,
You could be right if you consider the SXS would handle a higher data rate than SDHC. I do find it interesting that the HMC 100 can record to SDHC in all flavors without the SXS. It makes me wonder if Sony is twisting JVC's arm to sell SXS. But this brochure is even more confusing. If you look at the boxed table on page 3 under 35 Mbits, there is an asterik by 1440x1080 60i and 50i that references the note ".mov only" Which totally contradicts the specifications page that listed 192ox1080i as .mov only and no reference by 1440x1080. So it is a clear as mud... Hopefully Steve you will develop one of your great Handbook/Guides series for these cameras like you did for the HD7. It was invaluable. Because we're gonna need one. Cheers, David
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February 11th, 2009, 08:13 PM | #131 | |
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"... even though the SXS recorder may add additional options." You're right, it's not obvious what the SxS Media Recorder brings to the table if all formats can also be recorded to SDHC. Some thoughts: Is the SDHC card's FAT32 file system a limitation for long running shots when you to try to use them in FCP? Does FCP's Log & Transfer stitch multiple 4GB files on SDHC together without error? Will there be media-reference time-code on SDHC files? Or, only intra-clip time-code? David, it's possible SxS offers important capabilities not required by the 100 buyer or even some 700 buyers. Nevertheless, the Media Recorder may be a "must have" for many shooters.
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Switcher's Quick Guide to the Avid Media Composer >>> http://home.mindspring.com/~d-v-c Last edited by Steve Mullen; February 12th, 2009 at 01:31 AM. |
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February 11th, 2009, 08:48 PM | #132 |
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EX1 does 16GB per hour.
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February 11th, 2009, 11:18 PM | #133 |
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Anyone think the viewfinder could possibly be backwards compatible with the HD200? It doesnt look like it to me, but I can hope.
I am interested to see how the 14x Canon glass performs. |
February 12th, 2009, 09:30 AM | #134 | ||||||
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Unfortunately the new LCOS viewfinder is *not* backward-compatible with the GY-HD series cameras.
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February 12th, 2009, 09:43 AM | #135 |
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Chris, Thanks for taking the time to clarify the SXS confusion. Look forward to more info from yourself and Tim.
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