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March 26th, 2007, 02:19 AM | #1 |
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Best Way To Shoot Stop Motion On Hd100?
I have to shoot some stop motion and was wondering if anyone knows how best to accomplish frame by frame shooting with the HD100? I believe DV Rack is only available for PC's and I have a non-Intel Mac powerbook.
Last edited by Scott Harper; March 26th, 2007 at 02:49 AM. |
March 26th, 2007, 06:01 AM | #2 |
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I use this software with dv camera :
http://www.istopmotion.com But the pro/HD version is overpriced, and i don't know if it can handle hdv. |
March 26th, 2007, 07:52 AM | #3 |
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I've been longing to do stopmotion as well. In HD. That software seems WAY to costly to do simple stopmotion. Theres got to be an effective way of doing this that isnt $350+....
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March 26th, 2007, 07:58 AM | #4 | |
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-gb- |
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March 26th, 2007, 08:02 AM | #5 |
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I've done that before and achieved superior results. I'm just wondering how it would be possible economically using an HD100 (just like the original poster).
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March 26th, 2007, 09:33 AM | #6 |
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A very cheap and dubious solution I once used on a project in film school, albeit with an Arriflex M 16mm, was to shoot in short bursts and trim the clips down to single frames in my NLE.
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March 26th, 2007, 11:35 AM | #7 |
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DV Rack does stop motion. And from what I can tell it also does stop motion for HDV. However, contacting them or users should give you information on the exact format and cameras supported.
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March 26th, 2007, 11:41 AM | #8 |
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March 26th, 2007, 01:54 PM | #9 |
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I use my Nikon D70 for stop motion because I can do very long exposures per frame. The Nikon Capture software lets you set the interval, iris, shutter, etc., and capture directly to a Mac/PC laptop.
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March 26th, 2007, 02:34 PM | #10 |
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Thirded for using a DSLR.
1) It's smaller, so you can fit into those tiny miniature sets. 2) Better lenses. Primes instead of zooms. You can even use macro lenses that get you right into the tiniest details of your miniatures. 3) Better picture control. Instead of having to deal with the shutter speeds the video camera gives you and have to use noisy gain for light sensitivity and compromise on iris for exposure, set your DSLR at 100 ISO for clean pictures, set aperture for depth of field and use shutter for exposure. Use the right tool for the job instead of trying to deal with tools intended for other applications. IIRC, Corpse Bride was shot on a Canon 20D. I also saw an interesting bit on the special effects for "Indiana Jones and the Temple of Doom" where they did the minecart scenes by rolling a small SLR film camera through a miniature mine tunnel. |
March 26th, 2007, 07:15 PM | #11 |
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forthed ?! for DSLR
actually one of mine is on the front page here: http://alwayshd.com/ (empire state building time lapse) The other option using your camera, which is practical for shorter time between exposures is simply shooting normaly in 24p, then speeding up the footage by an even integer. What is nice at night is to shoot at the slowest exposure, then toss all the duplicated frames (eg at 1/6sec then speed up 400%) I notice our Philip Bloom has a few timelapse examples on this site too....
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March 26th, 2007, 07:53 PM | #12 | |
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How do you deal with matching stuff with the HD100 footage if you used special files like your bleachbypass. PS, I sent you an email. Been trying to figure out how to upload the footage for you. Duke
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March 26th, 2007, 08:21 PM | #13 |
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Okay I've tried the D70 route with Nikon Capture 4 then imported a test sequence in FCP but each shot lasts for 10 seconds, which is obviously too long. How do I shorten all 120 shots to the right length without changing each ones duration one at a time? There must be an easier way than this!
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March 26th, 2007, 08:27 PM | #14 | |
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Quote:
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March 26th, 2007, 09:11 PM | #15 |
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DSLR workflow:
Don't use FCP! Use Aftereffects, and import them together as a series. Each picture is one frame.
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