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March 30th, 2006, 02:38 PM | #1 |
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Join Date: Apr 2003
Location: California
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One more commercial...
It's named "Range Rover". We shot this in 24p with Paolo's settings (changed master black to -1). For post we used the Kona LH card to get it into our G5.
http://modernartpictures.com/commercialLaguna.html Marc |
March 30th, 2006, 03:06 PM | #2 |
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Join Date: Aug 2005
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Very pretty! A worthy use of this camera. I'm also interested in your production parameters. How long did it take you to shoot it? Crew size? I wonder if I could light it with my lowell kit.
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April 15th, 2006, 12:20 PM | #3 |
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Location: Perth, Australia
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Love your work. What did you use to get this quality? Quicktime H264... ?
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Dennis Robinson G5, , 30 inch display, FCP6 Studio 2, JVC-GYHD111 |
April 16th, 2006, 10:00 AM | #4 |
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Admin note: The following comment refers to a post which has been removed from public view.
Why Moderators haven't banned you yet is really the true question of this thread. |
April 16th, 2006, 10:09 AM | #5 |
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Admin note: The following comment refers to a post which has been removed from public view.
Where is the troll patrol on this forum? That is a very well-produced regional spot. Every frame is beautful. |
April 16th, 2006, 10:32 AM | #6 |
Obstreperous Rex
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This isn't how I wanted to spend my Sunday, but I have just now drop-kicked the aforementioned "troll" out of this community. I have very little patience for his sort, but I did let it drag out much longer than I should have. My apologies to everyone here for not taking care of this as soon as I should have.
My we please return now to the topic of constructive feedback relating directly to Marc's work. Thanks, |
April 17th, 2006, 10:53 AM | #7 |
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Dennis Robinson,
Yes, this was all edited on FCP and exported with Quicktime H264. Marc |
April 17th, 2006, 11:31 AM | #8 |
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Location: Knoxville TN
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Agreed, back on topic.
Marc, what device are you using for the camera motion, it's very fluid and well done.
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Our eyes allow us to see the world - The lens allows others to see the world through our eyes. RED ONE #977 |
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