|
|
|
|
|
|
|||||||||
 |
|
|
Thread Tools | Search this Thread |
November 13th, 2005, 08:04 PM
|
#31 |
|
Major Player
Join Date: Apr 2005
Location: Fort Dodge, IA
Posts: 221
|
HD100 Guide Book
Steve,
How close are you to have finished and ready to sell your "Guide For HDV Shooting with the HD100"? I cannot wait to get a hold of it ASAP! There are so many variables available in this camera that your guide should help us to sort them out in a methodical way that makes sense... Regards, Luis |
|
|
|
November 13th, 2005, 08:22 PM
|
#32 |
|
HDV Cinema
Join Date: Feb 2003
Location: Las Vegas
Posts: 4,007
|
My goal is 12-10 when I leave for India. But, If I get an XL H1 for review that will delay me til XMAS. AND, WE ARE ALL INTERESTED IN WHAT 24F REALLY IS.
__________________
Switcher's Quick Guide to the Avid Media Composer >>> http://home.mindspring.com/~d-v-c |
|
|
|
|
November 13th, 2005, 08:35 PM
|
#33 |
|
Major Player
Join Date: Apr 2005
Location: Fort Dodge, IA
Posts: 221
|
OK. If the 24F is the same as the Sony, we know upfront is crap. I have tried and it still is so video look. The big difference is the progresive acquisition. I do not undersand why they do not get it. It is so easy to go from 720P to 1080i without lost in resolution, not applicable for the other way around. I really do not understand how those big engineers cannot comprehend it. Progressive acquisition, 24P, good lighting, well thought composition and good sound = great outcome footage, IMHO. They have under their control the first two. The rest is the cinematography craft...
Respectfully, Luis |
|
|
|
|
November 13th, 2005, 08:54 PM
|
#34 | |
|
HDV Cinema
Join Date: Feb 2003
Location: Las Vegas
Posts: 4,007
|
Quote:
I can't say more now, but folks will definitely want to catch this issue.
__________________
Switcher's Quick Guide to the Avid Media Composer >>> http://home.mindspring.com/~d-v-c |
|
|
|
|
|
| ||||||
|
||||||
|
|
