|
|||||||||
|
Thread Tools | Search this Thread |
August 26th, 2005, 10:52 PM | #16 |
Major Player
Join Date: Mar 2005
Posts: 423
|
"The ability to have nearly equal light transmission (T-stop) over the whole range is someting I find so many folks don't consider."
Absolutely agree, hence why I brought it up again. "By the way, folks might be surprised who JVC buys the CCDs from." Is it Sony? I am pretty sure JVC buys the CCD blocks for the DV500/DV5000/DV5100 from Sony (the same half in block that went in the DSR350). |
August 26th, 2005, 11:01 PM | #17 | |
Wrangler
Join Date: Oct 2002
Location: Los Angeles, CA
Posts: 2,100
|
Quote:
|
|
August 27th, 2005, 01:45 PM | #18 | |
HDV Cinema
Join Date: Feb 2003
Location: Las Vegas
Posts: 4,007
|
Quote:
This relationship works well for semiconductors. Typically it can take a year to ramp up volume production. Sony needs so many on day 1 that it is better to sell the small amounts to JVC.
__________________
Switcher's Quick Guide to the Avid Media Composer >>> http://home.mindspring.com/~d-v-c |
|
| ||||||
|
|