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January 31st, 2008, 03:12 PM | #16 |
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January 31st, 2008, 03:20 PM | #17 |
Major Player
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Location: Savannah, GA
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I'm using the headphone outputs on the rear of the handle. The jack you're talking about is a line output, and marked as such.
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January 31st, 2008, 04:20 PM | #18 |
Inner Circle
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Well, that line output sure sounds better than that stupid headphone output! I think I'm gonna jam candle wax into those worthless headphone jacks--Or maybe use them as tooth pick storage receptacles!
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January 31st, 2008, 07:29 PM | #19 | |
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Location: Pacific NW
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Quote:
I'm going to whittle down 2 birthday candles and jam them in there. ;) |
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February 6th, 2008, 11:06 PM | #20 | |
Regular Crew
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Location: Sydney New South Wales
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Quote:
My sound recordist has not had a problem taking the line out of the cam for his cam return input to the sound desk. They def have skimped on the headphone amp but belive the problem lies at the input stage. We use a sound devices 302 mixer and when setting up the camera (HD 101e) the pots are up very high to achieve good levels for the Avid. When we shoot on the digi beta and use the test tone out of the mixer at the same levels, the pots are hardly working at all. I guess for a cam under 10k you need to cut costs some where ( the biggest being the standard lense ) Our pics really came alive when we bought the 13x fugi lense |
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February 7th, 2008, 02:24 AM | #21 |
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February 7th, 2008, 07:07 AM | #22 |
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Volume control maybe, unless there is a feature i'm unaware of. I myself have sensitive ears, where my soundo needs it cranked up (scary i know)
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February 7th, 2008, 06:22 PM | #23 |
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I just finished a studio shoot monitoring with the headphones in the line out.
what a difference that made. I'm never using the headphone outputs again. |
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