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October 18th, 2007, 11:39 AM
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#1 |
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Regular Crew
Join Date: Oct 2005
Location: Westfield, IN
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Combining XL1 and 110U SD in Project
I have a number of scenes I shot with an XL1, that would be helpful if I could incorporate in a project using the 110U. Are there any glaring issues I might encounter in combining the two?
thanks...Jon |
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October 18th, 2007, 11:47 AM
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#2 | |
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Major Player
Join Date: Mar 2004
Location: Perth, Australia
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Quote:
I can help here. I have had no issues with the footage mix. You will find that the JVC is way sharper than the XL1s.
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Dennis Robinson G5, , 30 inch display, FCP6 Studio 2, JVC-GYHD111 |
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October 19th, 2007, 08:35 AM
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#3 |
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Regular Crew
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thanks for the reply! I noticed in my haste in posing the question I failed to note, I would shoot the 110u in SD...so I would have SD scenes from both cameras. Does this affect your response?
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October 19th, 2007, 09:13 AM
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#4 | |
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Dennis Robinson G5, , 30 inch display, FCP6 Studio 2, JVC-GYHD111 |
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October 19th, 2007, 10:48 AM
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#5 |
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Regular Crew
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I noticed the same way with the HD100's SD sharpness vs XL1, XL2 or DVX . I wonder if it's because of the HD100's precise focus assist?
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October 19th, 2007, 10:56 AM
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#6 | |
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Inner Circle
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October 19th, 2007, 06:23 PM
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#7 | |
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Dennis Robinson G5, , 30 inch display, FCP6 Studio 2, JVC-GYHD111 |
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October 19th, 2007, 06:28 PM
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#8 | |
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Major Player
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My reply here is comparing the SD shoots. I shoot everything now in HDV and downconvert in FCP itself. I just love the HDV look in the JVC. My work is with TV commercials etc.
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Dennis Robinson G5, , 30 inch display, FCP6 Studio 2, JVC-GYHD111 |
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October 19th, 2007, 11:56 PM
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#9 |
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My comment was based on SD shooting live. I really like the 4x3 60i that the HD100 gives me. Of course, HDV 24/30p is just beautiful.
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October 24th, 2007, 12:15 AM
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#10 |
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Regular Crew
Join Date: May 2006
Location: Redmond, WA
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Jon,
I recently used both my XL1 and HD100 for a wedding shoot (SD on both), and the color balances are totally different. While you can manually tweak your camera & white balance settings, there's only so much you can do to try and match them up. It's very noticeable. If this is an important shoot, definitely experiment before hand. Maybe try this: In post, put your Canon files on one track, JVC on the other. Export one (or both) sequence as it's own file using as little compression as possible. Bring the file(s) back into into your editor, and use color correction on one to match the other. When you're done, export together. While the JVC is sharper, I find its colors are very toned down compared to the Canon. Therefore, it may be easier to color correct the Canon file to the JVC footage. Good luck :). |
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October 24th, 2007, 08:01 AM
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#11 | |
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October 24th, 2007, 07:39 PM
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#12 |
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No, I haven't. Where do I get it, and how is it loaded into the camera?
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October 30th, 2007, 07:10 PM
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#13 |
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Regular Crew
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Jeremy....go to the sticky notes at the top of the JVC Pro HD section and click on 100 series recipes or whatever it is called. Brian thanks for your suggestion...jon
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