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January 23rd, 2007, 06:26 PM | #46 | |
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Z1U for the 1080 and I forget what he said the other tape was shot on but he did say it was progressive 60. I want to say Panny, but I seriously forget.
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January 23rd, 2007, 11:09 PM | #47 |
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Well that was my point essentially. Two cams will look different, and being 60p as you say, the Panny is a good guess. It also happens to be the softest HD cam. Observations are good, but un-referenced comments of apples to oranges comparisons don't give credibility to the "i" vs. "p" argument.
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January 24th, 2007, 09:36 AM | #48 |
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Here's my 2 cents:
1080p will win. 1080i is interim, and 720p already lost. Why? First off, if you go into big box store, any screen that has a 1080p resolution has it in a big fancy pants sticker. "Full HD 1080" or any other such gimmick. If it doesn't have it, you ask why. Eventually, all the screens are going to be 1080p. Why bother with a 720p screen? Next up, 1080p24 is better than 720p24 hands down. I have a 17" 1920x1200 computer monitor on which I watch HD content. I can tell the difference on a screen this small between 1280x720 and 1920x1080. I can see the softness in 720p, the downsampling errors, etc. In 1080p resolution I can see the grain of the film, how well it was focussed - pretty much all the imperfections of the flick. I like that. All HD-DVD and Blu-Ray content produced by major studios is going to come out as 1080p24, and most consumers will want TVs that can play it properly. (Bring on 120 Hz displays!) The only application where 720p reigns supreme is in 720p60 content. And here it's got to fight 1080i. Well, 1080i can be adaptively deinterlaced to have comparable vertical resolution to 720p. What makes this worse is that the primary source of 60i/p content are sports broadcasters... but there aren't any real quality controls in the broadcast industry. There are different encoders, different scalers, different source cameras... Not to mention the broadcaster can bit-starve each HD channel in order to have more channels. Invariably the image broadcast is lower quality than it could be. I wouldn't buy a TV or choose a format based upon how well it can handle badly handled data... I'd base it on how it can excel. If bandwidth goes up, it may pave the way for 1080p60... at which point 720p will be a distant memory. -Steve |
January 24th, 2007, 01:46 PM | #49 |
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Ken makes great points as always yet I've never heard anyone say it better than Steve just did, that you buy it for what the format can be at its best, not to avoid what it is at its worst.
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January 24th, 2007, 02:12 PM | #50 | |
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Anyways, televisions with 2160p are on the way. Quad Full High Definition. Be very afraid ;) |
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January 24th, 2007, 06:10 PM | #51 | |
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Yeah my 21" widescreen monitor only goes 1600X1050, it will do some HD resolutions, but not 1920X1200 though. I can get it to do 1440X720, I think, or is it 1280X720...I'll have to check tonight. So since 2160p us on the way, this thread is moot? LOL jk
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January 24th, 2007, 07:12 PM | #52 |
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I have 23 inch 1680 x 1050 monitor. It's just not the same thing. Even my 4 year old Samsung 50 inch 720p DLP monitor is much better at handling 1080i than my PC monitor. The PC monitor even with built-in Faroudja DCDi just does not display 1080i as gracefully. I feel the DCDi is probably only effective for 480i. At 1080i, it bobs fields losing vertical resolution and adds stairstepping artifacts. The Samsung by comparison is totally absent those artifacts in spite of the lower native resolution. To be fair, that old Samsung I think was screwed together tighter figuratively than the newer oversharpened DNIe equipped models. Even so, the convergence between PC monitors and HDTV's has a long way to improve upon, and it's more than just PC monitor resolutions to make smooth artifact free motion happen. The reverse is true also, an HDTV monitor is not suited as well for PC applications.
Note: I am not inviting the "I"m a PC...I'm a Mac" jokes, not deliberately at least... But as far as quad full high defintion on PC monitors, "Be not very afraid" They have not yet covered even the basics of proper HDTV display fundamentals. |
January 24th, 2007, 08:47 PM | #53 | |
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As for 2160p - my eyes just aren't that good. With my glasses on I can't really resolve pixels in a properly sized 1080p image (I do much better at resolving film grain). I'm sure compositors and archives will like the higher resolution format... but this brings an interesting dilemma... How long are any of these formats going to be around? Is there really going to be a push to 2160p? It seems that level of detail is excessive for delivery (not acquisition). I'm sure it's a marketable technology, but pretty soon people won't be able to see the difference. -Steve |
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