|
|||||||||
![]() |
|
Thread Tools | Search this Thread |
![]() |
#1 |
Regular Crew
Join Date: Nov 2006
Location: South Carolina
Posts: 34
|
Best Video Output With Affordable 3 Chip HD Cameras?
Hello Everyone,
Thank you very much for this site. A HUGE learning curve for me, but I've learned a lot in the short time I've been lurking. First of all I'm an Old School Beta SP guy. I know ZERO about HD. I mean ZERO. Having said that, please go easy on me if you can with my questions. I have searched but am now needing to buy a camera soon so I've decided to ask now. I hope that's ok. I will try to make this as short as possible. I have a new client that wants to start shooting some pre-Olympic stuff. Everything in the beginning will be live shots only via a satellite truck or fiber optic. Eventually they want some ENG stuff on HD but the format and camera is soley up to me. For now though I am dropped from the sat truck a BNC cable, XLR's (IFB & PL of course too) and do my live shot. That is it. So I am looking for the absolute best video output from the following cameras: Canon XL H1, JVC GY-HD100, Panasonic HVX-200 and of course the Sony HVR-Z1U. Some of the fiber transmissions may be compressed so I'm also wondering if the outputs will be affected by this and if so which one is best. My live shots of course are NTSC 4:3 format. Low light isn't an issue really as I light every live shot, but if one has a great output and shoots better in low lighting conditions that's a plus. Low noise is a big issue as any sat engineer will complain if there is a lot of noise. Lastly, we're also doing some studio work with a 73 inch HDTV as the backdrop. I simply roll a 30 minute static shot of the city and put it on the HDTV as to make it look like they are "in" the city. Since we're using an HDTV, I'd like to shoot this in HD and simply burn the 30 minute static shot to DVD. Keeping it all HD of course. Is there one camera that does this better than the others? NO editing at all, just a 30 minute shot burned to DVD. I'm sorry for all of the questions and I hope they are not too pathetic. I've lived life with my Sony D30 for many years but now is the time to upgrade with this new client. I know some will suggest the new JVC200 or JVC250 as they have BNC outputs gen lock etc. and really is a truly "professional" camera, but with my purchase of the HDTV monitor ($4000 plus) and lighting etc. it's out of my budget right now. So the 4 cameras I mentioned are my only choices. IF none produce a truly "broadcast" quality 4:3 output please let me know. I'm also wondering how their outputs compare to my Sony D30? Older camera of course but larger chips. Thanks in advance for any advice you can provide. MB Last edited by Mike Bagley; November 17th, 2006 at 12:57 AM. |
![]() |
![]() |
![]() |
#2 |
Inner Circle
Join Date: Nov 2005
Location: Elk Grove CA
Posts: 6,838
|
Though I've been a Sony user for years, I betting, based on the information from and shots I seen on this forum that the Canon will be the camera.
As to play HD on DVD, I assume you are going to play the static HDV video via a computer to the large screen using the DVI output. HDV will not be playable through regular DVD players...It would have to be standard definition if that is the route....Unless of course, you have stepped up to a high definition player....
__________________
Chris J. Barcellos |
![]() |
![]() |
![]() |
#3 | |
Regular Crew
Join Date: Nov 2006
Location: South Carolina
Posts: 34
|
Quote:
MB |
|
![]() |
![]() |
![]() |
#4 |
Trustee
Join Date: Aug 2003
Location: Vancouver BC Canada
Posts: 1,315
|
If you are considering the Canon XL H1 with its price tag, why not the JVC 200/250's?
__________________
Damnit Jim, I'm a film maker not a sysytems tech. |
![]() |
![]() |
![]() |
#5 | |
Regular Crew
Join Date: Nov 2006
Location: South Carolina
Posts: 34
|
Quote:
MB |
|
![]() |
![]() |
![]() |
#6 | |
Inner Circle
Join Date: Nov 2005
Location: Elk Grove CA
Posts: 6,838
|
Quote:
Mike: If your step up to the HD DVD player, you will be leading the pack of most people on this forum... I know there is Blue Ray from Sony, and there is HD DVD-- can't remember who has one out-- Toshiba ?????? As I said, you could run it out of a card off a computer, and that might be cheaper than a player...
__________________
Chris J. Barcellos |
|
![]() |
![]() |
![]() |
#7 |
Regular Crew
Join Date: Nov 2006
Location: South Carolina
Posts: 34
|
Well, after looking at them online, I can see why few have them yet. $1000 for a Blue Ray and $500 for the Toshiba, they are not cheap. I could probably get away with shooting in 16:9 non HD (IF these cameras do this) and just burning that to a DVD and use the same type setup I have now. It would still look good I imagine. But I figure if I'm getting an HD camera and an HDTV, might as well go all they way. Too bad I won't have any of these toys at home. :(
MB |
![]() |
![]() |
![]() |
#8 |
Trustee
Join Date: May 2004
Location: Knoxville, Tennessee
Posts: 1,669
|
The Avel Linkplayer2 is a good interim playback solution for around $200 - plays back HDV m2t from red-lazer DVD or across a network from a storage drive.
|
![]() |
![]() |
![]() |
#9 |
JVC America
Join Date: Mar 2005
Location: McKinney, TX
Posts: 516
|
Hi Mike,
Being an "old school guy" (me too, by the way), you will adapt much easier to the JVC GY-HD110U than the other three cameras you mention. Here's why: 1. The GY-HD110U (which is the current model - GYHD100 was discontinued several months ago) is the only one of the four that uses a true broadcast, detachable lens. The lens has real mechanical stops - what your are used to. The focus is manual only, and it stays where you put it. It will never change on it's own, and it responds instantly and predictably to your hand. This cannot be said about the other three cameras, which use servo-driven focus mechanisms. The iris ring and zoom controls are right on the lens, where you expect to find them, not somewhere on the camera body. 2. The GY-HD110U is the only one of the four that is designed as a shoulder-mount camera that will balance properly on your shoulder, using a professional battery system like Anton Bauer or IDX. 3. The GY-HD110U is the only one of the four that has a native CCD resolution that is one of the ATSC HD resolutions. It has a native resolution of 1280 x 720, using real progressive scan. The other three use CCD resolutions that are not found on hte ATSC chart, and then they do some sort of image processing and/or scaling to achieve an accepted HD resolution. Regarding outputs: The GY-HD110U will deliver the following full bandwidth, uncompressed live outputs: Composite - 480i/60, 576i/50 - choice of 4:3 or 16:9 in both cases Component - 480p/60, 576p/60, 720p/60 - 16:9 This camera will produce broadcast-quality images. In fact, it is already being used by several broadcast organizations, including ABC, CBS, and others. Regards,
__________________
Carl Hicks JVC Professional Products Company |
![]() |
![]() |
![]() |
#10 |
Regular Crew
Join Date: Nov 2006
Location: South Carolina
Posts: 34
|
Carl, thank you so much for your response. Late on a Saturday night no less. I hate to ask another question, two actually but I must. The first may be hard to answer, the second you will know for sure.
1) Out of curiosity, how well does the JVC GY-HD100 or 110 "video output" compare to my Sony D30? It's an older camera of course but again larger chips. I'm for sure purchasing an HD cam, but just wondering how my D30 stacks up to these new cameras since it's quite old by now. Just curious, nothing more. 2) Does the new JVC-HD200/250 have a superior output compared to the JVCHD100/HD110? The thread about the HD200/250 "super encoder" has perked my interest with this new camera. If the HD100/HD110 will serve my needs with broadcast quality output then I won't pay attention to a D200/250 until I have more funds. Just curious if there's a huge difference that I will notice. Or more importantly the sat engineers will notice. 3) Sorry, decided to add a 3rd question. :) The HD100 would serve me just fine compared to the HD110 I assume, even though it's been discontinued? The "upgrades" from what I've seen don't seem make much of a difference for my live shot needs. If you know of a benefit with the HD110 over the HD100 for live shots only please let me know. Carl, Thanks again and I apologize for the additional questions. MB |
![]() |
![]() |
![]() |
#11 | |||
JVC America
Join Date: Mar 2005
Location: McKinney, TX
Posts: 516
|
Quote:
Quote:
Quote:
__________________
Carl Hicks JVC Professional Products Company |
|||
![]() |
![]() |
![]() |
#12 | |
Regular Crew
Join Date: Nov 2006
Location: South Carolina
Posts: 34
|
Quote:
MB |
|
![]() |
![]() |
![]() |
#13 | |
Trustee
Join Date: Aug 2003
Location: Vancouver BC Canada
Posts: 1,315
|
Quote:
__________________
Damnit Jim, I'm a film maker not a sysytems tech. |
|
![]() |
![]() |
![]() |
#14 |
Regular Crew
Join Date: Nov 2006
Location: South Carolina
Posts: 34
|
I hate to bring up an old thread, but I have to ask another question. I tried using a Sony PD-150 today for a live shot. Simply using the video output on the camera. I have yet to purchase the JVC 100 cam so this was all I had to use at the last minute, borrowed from a friend. My D30 was rented. I have NEVER been more belittled by an engineer as I was today with the Sony. The problem: IRIS. There was NO in between with this camera according to the engineers. It was either too hot, or too dark. It's either one f stop or the next. NO in between. It was an absolute embarrasment. I moved the lights, did whatever I could and finally made things OK. My question is, (to Carl at JVC really) is will I have this problem with the JVC HD100 or 110? NO WAY is this Sony camera broadcast quality in any way shape or form. (yes I know no one said it was) Not to rag on it, but today was judgement time and I thought nothing of it to use this camera until the engineers became involved. Carl, will I have the same problem with the JVC 100 or 110? Thanks.
MB |
![]() |
![]() |
![]() |
#15 | |
JVC America
Join Date: Mar 2005
Location: McKinney, TX
Posts: 516
|
Quote:
No, you won't have this problem with any of our ProHD cameras. We use REAL professional lenses that have a completely variable iris, just like your D30 camera. It sounds like you have not actually used one of our cameras yet. When you eventually do, you will quickly see that it operates much like your D30. With the free IDX power package promo that's going on, now is a great time to buy a GY-HD110U. Regards,
__________________
Carl Hicks JVC Professional Products Company |
|
![]() |
![]() |
![]() |
| ||||||
|
|