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October 14th, 2010, 10:07 AM
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#1 |
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Regular Crew
Join Date: Oct 2005
Location: Huntsville, Ontario
Posts: 62
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Format hell and workflow advice
I just shot a motorcycle film using several different cameras and formats.
The 2 primary cameras were my old Sony FX1, a new Sony NEX-VG10, 2 smaller Sony HDV cameras, and a Canon T2i. We also implemented a ton of GoPro and Contour HD cameras for action and helicopter mount shots. Now back in the edit suite, I'm face to face with the issue of finding a solid workflow. I've searched a bunch, and have learned a lot along the way, but I'm hoping to avoid a lot of trial and error. (on a recommendation, I tried transcoding 1 minute of GoPro footage to ProRes LT, the file ended up being 32 gigs!) If anyone has worked with and successfully mixed these formats, I'd love some feedback. Thanks! |
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October 14th, 2010, 10:43 AM
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#2 |
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Trustee
Join Date: Mar 2007
Location: Sherman Oaks, CA
Posts: 1,259
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This might help you w/ importing the GoPro stuff:
GoPro Official Store: Wearable Digital Cameras for Sports
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Avid Media Composer 3.1.3. Boris Red and Continuum Complete. Vegas 8.0c. TMPGEnc Xpress Pro 4.0 |
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October 14th, 2010, 10:56 AM
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#3 | |
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Inner Circle
Join Date: Sep 2002
Location: Vancouver, British Columbia (formerly Winnipeg, Manitoba) Canada
Posts: 4,088
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Quote:
ADDENDUM: Using the AJA Data Rate calculator on my iPod Touch, 1 minute of 1080P30 in ProResLT should be 877.3MB with 2 channels of audio.
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Shaun C. Roemich Road Dog Media - Vancouver, BC - Videographer - Webcaster www.roaddogmedia.ca Blog: http://roaddogmedia.wordpress.com/ |
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October 18th, 2010, 02:59 PM
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#4 |
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Inner Circle
Join Date: Dec 2005
Location: Rhode Island
Posts: 4,048
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Andy have you solved the problem? I use GoPro with all types of other cameras on the same ProRes timeline? What NLE are you using?
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