|
|||||||||
|
Thread Tools | Search this Thread |
April 27th, 2005, 08:56 PM | #1 |
New Boot
Join Date: Dec 2004
Location: Fort Collins, Colorado
Posts: 16
|
Using FCP for a weekly TV show
I'm an avid FCP/Mac user, but I'm headed to a job interview on Friday (4.29) with a company that thinks they can cut a weekly TV show using 5 Adobe Premier/Windows machines.
They are considering the switch to FCP or Avid Symphony, but want to stick with Premier. Obviously I think this is a really, really BAD idea, but need some hard evidence to support my claim. Without bashing Avid/Premier, can you all help me build a case on why they should use FCP? Here's what I have down so far: - After traveling to LA recently and visiting several film schools (including UCLA, USC), I noticed NONE of the schools used Premier and gave me very strange looks when I asked them if they or anyone they knew in the industry used Premier. Point: The schools training the next generation of filmmakers aren't using Premier. - After talking with the local Comcast creative office, I noticed they used FCP as well. Premier was not even brought up. I know Comcast's Dallas office uses Avid, but still no mention of Premier. Point: The big time industry guys aren't using Premier either. - Avid's Symphony adds on much more hardware as USC used the system and each editing bay was 1 G5 + 2 avid add-on boxes. Point: More $$ and more stuff to break. - Apple's G5 64 bit OS will provide them with plenty of computing power when matched up with an Xsan & Xgrid network. I intend to mention Tiger and how it and the new production suite is optimized for the 64-bit G5. Point: Power to get the job done when time is very crucial. That's all I have for now, but please share your thoughts/experiences/facts to help me build my case! Remember, bashing other systems won't help me, I need facts. |
April 28th, 2005, 11:01 AM | #2 |
Major Player
Join Date: Mar 2002
Location: Plano, TX
Posts: 607
|
"24" is cut on FCP and it's a successful weekly TV show. Actually there are a ton of TV programs cut on FCP, and now that it has multi-cam support built in I would expect it to gain even more momentum. Can you imagine the editors of "24" sitting around on their Powerbooks cutting the program? They do! That's a lot cheaper than even one Symphony Suite.
need some samples check out http://www.apple.com/pro/archive/ind...l#profilmvideo |
April 28th, 2005, 11:43 AM | #3 |
Inner Circle
Join Date: Sep 2002
Location: San Mateo, CA
Posts: 3,840
|
95% of all features are cut on Aivd. More than 90% of Tv shows too.
|
April 28th, 2005, 02:49 PM | #4 | |
Regular Crew
Join Date: Apr 2005
Posts: 31
|
Quote:
Either you are already assured the position or you have huge balls. |
|
April 28th, 2005, 06:15 PM | #5 |
Major Player
Join Date: Mar 2004
Location: Roanoke, VA
Posts: 796
|
John is correct. Get the job first, then when they ask your advice, you can present to them a well laid out proposal for switching platforms.
__________________
Dave Perry Cinematographer LLC Director of Photography • Editor • Digital Film Production • 540.915.2752 • daveperry.net |
April 28th, 2005, 07:41 PM | #6 |
New Boot
Join Date: Dec 2004
Location: Fort Collins, Colorado
Posts: 16
|
I think you all have good advice, but would you take a job that required you cut a weekly TV show on Premier? It seems like a massive disaster waiting to happen, and i'd be right in the middle of it all...
|
April 28th, 2005, 08:30 PM | #7 |
New Boot
Join Date: Apr 2005
Posts: 5
|
Final Cut is everywhere these days but Premiere is a very capable program. I think you would be better off building a case as to why they should hire you.
|
April 29th, 2005, 12:28 PM | #8 | |
Regular Crew
Join Date: Jan 2005
Location: NJ, US
Posts: 183
|
Quote:
__________________
http://www.sareen.tv |
|
| ||||||
|
|