December 1st, 2004, 09:37 AM | #1696 |
Wrangler
Join Date: Dec 2002
Location: Mays Landing, NJ
Posts: 11,801
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The HDLink from Blackmagic Design will do this, although I have never seen one myself http://www.blackmagic-design.com/site/hdlink.htm
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December 1st, 2004, 11:29 AM | #1697 |
Regular Crew
Join Date: Sep 2004
Posts: 43
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The HDLink only has SDI in, so it will not work with the FX1.
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December 1st, 2004, 03:13 PM | #1698 |
New Boot
Join Date: Jan 2004
Location: Orlando, FL USA
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Thanks! I'll check those out and see if they help.
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December 1st, 2004, 06:48 PM | #1699 |
New Boot
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OK, I've checked out all of those threads, and it seems I'm not the only one that has this problem. But it doesn't seem like anyone has an answer yet.
One thing that is weird is the footage is 24pa captured with the pulldown removal, but when I click on the clip in my bin and go to item properties it says 29.97. And it still wants me to render before I can view it in a 24fps or 23.98fps timeline. Anyone? |
December 1st, 2004, 08:34 PM | #1700 |
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digitizing from a DAT recorder to FCP
I'm trying to figure out the best way to digitize audio from a Sony TCD-D8 to my desktop G4. I'm interested in any suggestions on how best to connect these two pieces of equipment and get the audio in the timeline.
Thanks very much in advance. |
December 1st, 2004, 10:12 PM | #1701 |
Warden
Join Date: Mar 2002
Location: Clearwater, FL
Posts: 8,287
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What type of outputs does the Sony have?
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December 1st, 2004, 11:14 PM | #1702 |
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Hey Jeff,
It has a remote digital I/0 for use w/ a special sony optical cable, and a phones/line out jack for analog connections (I know the latter can be used with a mac via the mic jack on the computer, but apparently this results in less than desirable audio. |
December 2nd, 2004, 12:05 AM | #1703 |
Warden
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It reads like you need something with S/PDIF coaxial connections. This might do the trick, USBPre from Sound Devices.
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December 2nd, 2004, 08:20 AM | #1704 |
Tourist
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Location: St. Paul, MN
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firewire enablers missing
Hi,
I am trying to hook up an external monitor in this configuration: PowerMac 8600/300 (using fcp 1.0.1)--->firewired to Canon GL2--->RCA to TV. Im under the impression device control needs to be enabled for this to work, but when i turn it on the i get this message: "device control will not be available using the currently selected firewire protocol. the firewire or dv enablers are missing." the protocol is set on apple firewire basic, but i have tried them all. I searched for the enablers on my mac and found (in the extensions folder) firewire enabler---version 2.7 firewire support---version 2.7 quicktime firewire dv enabler---version 2.2 quicktime firewire dv support---version 2.2 My ultimate goal is to monitor fcp on a tv monitor. if im correct that device control needs to enabled does anybody know why i get the above message. or is there a way to hook up a monitor without having to enable device control. im very new at all this so any help would be great. Colin. |
December 2nd, 2004, 08:56 AM | #1705 |
Major Player
Join Date: Apr 2003
Location: Duluth, Georgia
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Firewire 800 Harddrives and FCP 4
Hi everyone,
I'm looking at adding a larger external hard drive soon. quick question for FCP users. Is anyone editing DVCpro or above and using any Firewire 800 cards and hard drives? How about HD editing? It Seems that the throughput might be fast enough to edit 720p HD @ 100 Mbps- any confirmation from the field? I have a G4, 1 gig ram, FCP 4. Thanks, Jeff |
December 2nd, 2004, 11:11 AM | #1706 |
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Location: Astoria, New York
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Thanks - I took a look at the Sound Devices. It seems perfect, but alas a little more than I can spend right now. I also found the following sound card, with fire wire connectivity, for just around $75. What do you think?
http://www.core-sound.com/Firewire-Audiophile.html |
December 3rd, 2004, 02:02 PM | #1707 |
New Boot
Join Date: Feb 2004
Location: Northern New Jersey
Posts: 24
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It's been a while since I've edited on my beige G3 with OS9, but I do remember having to deal with the extensions you've mentioned.
My first thought is that since you've chosen Basic Firewire, you may only be able to see the image going through the camera, and not control it. Have you gotten the same error on all settings? Make sure that you've updated to the latest version of Quicktime that you can install on your machine. I've known this to be a problem. Is this the first time you've tried doing this or is the a new problem that has recently surfaced? There are a coule of forums you might want to try that target FCP users. One that I like is PostForum.com. And they have a lot more forums than Final Cut. These are my initial thoughts, but if something jogs my memory, I'll post. Good luck. Peace! Chris |
December 5th, 2004, 09:44 PM | #1708 |
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DV->AE->FCP?
What is the best workflow with regards to codecs and maintaining image integrity when doing post work on DV footage in AfterEffects and rendering it out to be used in FCP 4.1?
I would have assumed that simply rendering my AE material out using the DV codec would be fine, but I am wondering if I am going to take an unwanted hit in quality as I recompress my DV material. Does it make more sense to render out as lossless any interative DV post material and only render out as DV when it is ready to finally go back to FCP? An thoughts on this? |
December 6th, 2004, 03:05 AM | #1709 |
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Poor movement in export
Hi everyone,
I have a major problem with my export at the moment, and this forum is a brilliant place to find solutions. I've recently got into the videography industry, and are still somewhat new (though proficient) at Final Cut Pro. I have some footage at the moment of a School Speech Night, which includes students walking across a stage to shake hands with the principal and recieve an award. I have two queries with this work. Firstly, one of the cameras was being used by a friend of mine who was stuck with a dodgy tripod, that could not fluidly pan or stay still without a vibrating effect. What is the best way to minimise the camera shakes in this footage (baring in mind that it cannot be reshot)? Secondly, when exporting footage in MPEG2 format for DVD use, the footage struggles with movement. I don't know the name for the problem, but the footage has obvious lines through movement. The effect I am talking about can be found if you tried to use a still frame from a frame rich with movement; there are lines breaking up the shot. Now I understand why this happens in a still shot, but is there a way to stop it in the actual video? Thanks in advance folks, Tim |
December 6th, 2004, 11:21 AM | #1710 |
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Location: Tampa, Fl
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Text in FCP
I am directing a read along series for kids and am
trying to figure out the best way to produce the effect I want. I am editing this in FCPHD. I am looking for a text creation and tracking method so that the text fades in grey and as it is read turns to black. I have tried creating this using illustrator/photoshop combo and have also experimented with Livetype. The ill/photoshop method basically entails creating a still for each word. With this method I get a nice pop as each word appears, but the text does not seem to be as crisp or clear as I would like. Using Livetype the clarity seems to be a bit better but I do not get that same pop and trying to keyframe each word was extremely difficult. Is there a filter or some technique to add clarity to the Photoshop technique, or is there some easy way that I am missing to do this using Livetype or the text generator within FCP. OR is there a program out there that this could be done in that could solve all of these issues? Surely someone out there has encountered something like this, worked on a similar project, or just has some words of wisdom. Below is a link if you would like to see a screenshot. Thanks in advance! http://us.f1f.yahoofs.com/bc/227d6c75/bc/KICSFLIX/3Bears.png?bf.MJtBBx49l_kh0 copyright Franklin Media Networks LLC |
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