Fixing low exposure in FCP at DVinfo.net
DV Info Net

Go Back   DV Info Net > Apple / Mac Post Production Solutions > Final Cut Suite
Register FAQ Today's Posts Buyer's Guides

Final Cut Suite
Discussing the editing of all formats with FCS, FCP, FCE

Reply
 
Thread Tools Search this Thread
Old July 10th, 2009, 07:02 PM   #1
Regular Crew
 
Join Date: Feb 2008
Location: Cobleskill, NY
Posts: 51
Fixing low exposure in FCP

I recently shot an opera with a Canon XH A1, along with an HV20 and an HV30. The HV cameras were on auto exposure (I don't think there is a manual mode), but the XHA1 I was using was in full manual. Due largely to my inexperience, my shots are a little dark, especially when I cut it into the HV 20 & 30 material.

What are my options after the fact? I've tried applying the "brightness" filter, but a small bit of brightness adds an unacceptable amount of noise.

I suppose I could darken the HV footage, but then my whole shoot is going to look too dark.

Help me if you can.

Thank you.

--Nathan Lawrence
Nathan Lawrence is offline   Reply With Quote
Old July 10th, 2009, 07:10 PM   #2
Trustee
 
Join Date: Nov 2008
Location: Miami, FL USA
Posts: 1,505
Try raising the midtones without pulling the blacks up too much, might want to use the 3-way color filter, it offers much more control than the brightness filter, which imho does more harm that good. Another good filter is a freebie which has been offered here...search Dominiks Contrast filter, which has a great gamma control. Please do a search as I don't have the url at my fingertips but it is on this board and works a treat. / hth / Battle Vaughan/miamiherald.com video team
Battle Vaughan is offline   Reply With Quote
Old July 11th, 2009, 05:45 AM   #3
Regular Crew
 
Join Date: May 2009
Location: Amsterdam, Netherlands
Posts: 28
usually when I need to increase the exposure I use Neat Video to clean up the noise, it does a fantastic job and then apply Magic bullet looks, or Color from apple to increase the right amount of exposure while still maintaining my blacks.
Jonathan Massey is offline   Reply With Quote
Old July 11th, 2009, 12:18 PM   #4
Go Go Godzilla
 
Join Date: Nov 2004
Location: Scottsdale, AZ USA
Posts: 2,823
Images: 15
Learn to use the 3-Way Color Corrector; it's one of the most powerful color and exposure tools in FCP. Also, the referenced tool from Dominik is also very easy to use:

http://www.dominik.ws/dc.dmg
Robert Lane is offline   Reply With Quote
Old July 11th, 2009, 07:35 PM   #5
Regular Crew
 
Join Date: Feb 2008
Location: Cobleskill, NY
Posts: 51
Thanks for all your help with this. Just a few minutes of this and things looked a whole lot better. I can still tweak, but there's a lot of tweak I can do with the 3-way. Dominik's works very nicely also. Thanks for pointing it out (and thanks Dominik for writing this for everyone!)

--Nathan
Nathan Lawrence is offline   Reply With Quote
Old July 13th, 2009, 06:14 PM   #6
Major Player
 
Join Date: Dec 2004
Location: LA CA
Posts: 317
Take a look at this:

Neat Video - best noise reduction for digital video

It's a quite remarkable noise remover. There are demos on the site.

Harry
Harry Bromley-Davenport is offline   Reply With Quote
Old July 14th, 2009, 03:34 PM   #7
Wrangler
 
Join Date: Dec 2002
Location: Mays Landing, NJ
Posts: 11,800
Quote:
Originally Posted by Robert Lane View Post
Learn to use the 3-Way Color Corrector; it's one of the most powerful color and exposure tools in FCP.
I'll second that. I've been shooting all our opera videos here in Philadelphia for the past 8 years, so I "feel your pain"... opera can often be really dark (and, putting on my lighting designer hat, I'm as guilty as the next guy).

But all I ever use is the 3-way corrector. It can work wonders after you get used to it. You are lucky that the footage is underexposed and not overexposed, because at least you can do something with it. Often the only way to prevent the faces from getting totally blown out is to stop down to the point where most of the stage is just black. I have a little trick I use with footage like that. Using the color wheel on the left, drag it into the blue area. This has the effect of turning the black areas into a sort of misty blue, like a backlight in haze. This has really saved some of my footage (and as a lighting designer I also use a lot of blue backlight in haze too). But don't apply too much of this effect... just a bit to lessen the contrast of a pitch black scene.
Boyd Ostroff is offline   Reply With Quote
Old July 19th, 2009, 03:45 AM   #8
Major Player
 
Join Date: Aug 2008
Location: Huddersfield, UK
Posts: 469
Thanks so much everyone for this suggestion - the 3 way colour corrector is great. I have a load of footage shot in very sunny and high contrast conditions, some of which I overcompensated for by underexposing. Reducing the blacks and / or raising the mid-tones improved and enhanced the footage no-end without either adding any noise (that I could notice) or making it look artificial in any way. A great tool!
Geoffrey Cox is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Apple / Mac Post Production Solutions > Final Cut Suite


 



All times are GMT -6. The time now is 04:15 AM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network