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May 21st, 2009, 12:26 AM | #16 | |
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Charles Papert www.charlespapert.com |
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May 21st, 2009, 02:00 AM | #17 | |||
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DVI to Apple Cinema LCD display = Color inaccuracy. DVI to Broadcast HD monitor = Color inaccuracy. DVI to Consumer Plasma HDTV = Color inaccuracy. DVI to ANYTHING = Color inaccuracy. Quote:
I have been impressed with a friend's $2,000 projector. While it isn't an IMAX, being able to watch TV or movies on a 120" screen in a private setting is a very enjoyable experience for me. Knowing that the whole entertainment system costs a few grand less than what I payed for a used Saturn impresses me.
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May 21st, 2009, 11:25 AM | #18 | |
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Correct. The HP DreamColor, though, is supposed to be accurate (when properly calibrated). AFAIK, no broadcast monitor accepts DVI input. Correct on both.
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Mike Barber "I'm laughing to stop myself from screaming." |
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May 21st, 2009, 02:53 PM | #19 | |
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DVI to Apple Cinema LCD Display (for high-end print applications) = Color inaccuracy for many professionals even after calibration DVI to Apple Cinema Display (video intended for broadcast) = Color inaccuracy no matter what. DVI to Matrox MXO to Apple Cinema Display (video intended for broadcast) = Color accuracy High-quality computer displays were mainly designed for print media which has a different set of parameters for professional work than video. The Matrox MXO has been designed to fix this. I don't have one but from what I've heard it does the job. It certainly costs enough. LCD televisions have frequently been adapted from computer monitor technology which gives them a different set of gamma characteristics from your standard tube TV set. Many projectors come from computer technology as well and the manufacturers assume that anything coming in thru the DVI or VGA connector is using computer gamma and anything coming thru the video connectors are using video gamma. HDMI is normally used by video equipment. I have a 19in Viewsonic LCD that I have been able to calibrate to near video quality but it is less accurate than my 15 year old Sony monitor. The point here is that you can use LCD displays and video projectors for watching your work and showing it to an audience but when it comes to critical image manipulation your most economical best bet is still a traditional CRT monitor. In a few years we should have a better solution.
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William Hohauser - New York City Producer/Edit/Camera/Animation |
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May 22nd, 2009, 05:52 AM | #20 | |
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May 22nd, 2009, 02:14 PM | #21 |
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Yes, but you can't attach the MXO to just any LCD. Not all LCD panels are created equal, and therefor may not make for good colour critical monitors, regardless of the MXO's magic at work.
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Mike Barber "I'm laughing to stop myself from screaming." |
May 22nd, 2009, 08:56 PM | #22 |
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Mike,
Would you have a recommended setup for connecting a macbook pro to a LCD that would give acceptable results for monitoring and colour correction? Is the MXO mini the best way to go right now? Any monitors you like at the moment? Thanks, and hope all is well, Vito |
May 23rd, 2009, 12:43 AM | #23 | |
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a) slightly more screen space (25.5" vs 24"... that 1.5" does make a difference) b) a wider colour gammut (the larger the panel, the wider the gamut) When comparing the NEC to the HP DreamColor (both using the sRGB profile as a baseline), I saw all around equal quality of picture. The HP costs about twice as much or so. Also, the HP DreamColor requires a special probe for calibration; not the typical LCD probe. I'm dreaming of the day I get myself a second NEC and put an MXO on it. Either that, or an MXO2 out to a good LCD HDTV. Again, not all are created equal. The issue with cheap to mid-level monitors is consistency from corner to corner. Case in point: filling a $500 (CAN dollars) HP monitor with a white or medium grey screen and looking at it from a direct 90°, you'll notice a blue tint on one side, and a pink tint on the other. That's symptomatic of the cheaper panel and the MXO isn't going to make that problem go away.
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Mike Barber "I'm laughing to stop myself from screaming." |
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May 23rd, 2009, 09:25 PM | #24 |
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Thanks for the info, Mike. Much appreciated.
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