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December 1st, 2010, 04:30 PM | #16 |
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Sure I would too with that camera.. but DVCpro HD tapes arent that cheap over a year..
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December 1st, 2010, 05:05 PM | #17 |
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Overall, the connected camcorder solution is more reliable than any attached media recorder simply because you are watching the camcorder nearly all of the time. I continue to record on my EX1 while using the Nano. Though, you will probably agree more when your primary camcorder uses flash memory recording and not tape.
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December 1st, 2010, 06:01 PM | #18 |
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Yes totally agree.If I was shooting EX3 or any card camera I would most likely record in camera at the same time.. then just format the cards when everything was in backed up..
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December 2nd, 2010, 10:55 AM | #19 |
Sponsor: Convergent Design
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Shoot tape or not
Hello Everyone,
We suggest to all of our customers when possible record to tape, or if they can afford it have a backup or redundant nanoFlash when on important shoots. Granted the nanoFlash is excellent product, but it is impossible to predict failures, wether it be with the Camera, nanoFlash, or any part of the workflow. So the better prepared you are, making backups via the tape in a camera, or P2 card's etc, even thou there might be some loss of quality depending on the camera, you will still have the shot, that is why we also suggest for customers to purchase a nexto backup drive. It is a small initial cost to backup your footage, compared to loosing footage. accidental formating, or Compact Flash Card failure, which is extremely rare but we have seen it, just like anything else nothing is ever full proof. Not to mention the speed, and ease of use in the field. Best Regards
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Andy Mangrum, Tech Support Convergent Design, Inc |
December 2nd, 2010, 04:59 PM | #20 |
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Cover Thyself with Tape
Hi Andy:
I want to add my voice to this chorus, and I strongly concur with simultaneous tape rolling as a backup. In fact, I will go as far as to say I value any production ready camera which also contains a fully operational recording VTR inside it. I always shoot an HDV cassette tape while recording to my Convergent Design Flash XDR, and would not even consider shooting a paying job without tape in the camera. Tape is cheap, and I consider my Flash XDR to be totally stable at this point (Other than current Beta Release disappearing LTC/TC Trigger with E to E Record Tally Engaged), but I still want to cover myself so I may still get the shot no matter what - even if it's in lower resolution - thick raster HD @ 25 Mbps. |
December 2nd, 2010, 05:19 PM | #21 | |
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Quote:
rafael |
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December 5th, 2010, 03:29 PM | #22 |
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I spent the last year shooting flawlessly with the nano... until the last job. For some reason, the first 4 minutes of the first shot on the first day (interview) never made it on the nano... never did figure out why. Everything else over two days was perfect. I was very glad to have the tape. But new stock seems excessive. I try to get used stock when I can.
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Bob FireDancer Productions, Inc. |
December 5th, 2010, 03:34 PM | #23 |
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Dear Bob,
Were you triggering with System|Trigger TC > Last TC? If so, and you recorded color bars or anything else, then reset the timecode in the camera, then the nanoFlash would not start recording unitl the timecode from the camera was higher than what was recorded previously on the nanoFlash. If the nanoFlash is turned off, then the "Highest Previous Timecode" value is erased.
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Dan Keaton Augusta Georgia |
December 5th, 2010, 04:42 PM | #24 | |
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Quote:
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December 5th, 2010, 07:02 PM | #25 | |
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How does that effect recording,if the nano is then plugged in again,same setting TC last TC..and record button on camera is pressed..? |
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December 6th, 2010, 04:59 AM | #26 |
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Dear Robin,
If you are using System|Trigger|TC > Last TC, and you power off the nanoFlash, then, when the camera rolls timecode again, the nanoFlash will immediately start recording, Then, after this recording stops, the nanoFlash will not start recording again until the timecode exceeds the highest timecode already received. The purpose of this setting is to allow one to rewind and review, in-camera, without the nanoFlash recording the same clip again. The only operational problem with this, is when someone powers on then nanoFlash, records anything, such as color bars, and then resets the timecode in the camera back to a lower value. In this case, just power cycle the nanoFlash.
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Dan Keaton Augusta Georgia Last edited by Dan Keaton; December 6th, 2010 at 07:34 AM. |
December 6th, 2010, 05:24 AM | #27 |
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so unplugging the nano and then plugging back in.. there by erasing the previously remembered highest TC .. makes no difference to TC-last TC recording?
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December 6th, 2010, 07:33 AM | #28 |
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Dear Robin,
I am sorry, but I do not understand your question. If one is using System|Trigger|TC > Last TC, Then when the nanoFlash first powers up, it will start recording no matter what the timecode value is. Once this or any other file is recorded, it is on the CompactFlash card media and will not be lost or changed if the nanoFlash is powered off then back on again. While the nanoFlash is powered up and in this "System|Trigger|TC > Last TC" mode, the only clips that will be recorded are those that have timecode higher than the highest timecode recevied since the nanoFlash wa powered up. But, if one powers down the nanoFlash, then powers it up again, the nanoFlash will reset the "Highest Timecode Value" to zero, and thus every timecode that comes in will trigger the nanoFlash to record. Subsequent clips will be recorded only if the timecode is higher than the saved "Highest Timecode Value". I hope this helps.
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Dan Keaton Augusta Georgia |
December 6th, 2010, 03:37 PM | #29 |
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Ah Ok I get it..
Thanks |
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