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Old October 24th, 2009, 01:27 PM   #61
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Mark there is only one RED camera, the RED ONE. The Scarlet and Epic camera announcements will be later this month. Shooting 2K on the RED ONE uses a sensor cropping scheme, not the full sensor. I researched the RED pretty well before buying my Viper. This was one of the things I loved about the Viper, full sensor in all shooting modes except scope, even in scope mode it uses nearly all the sensor.

I don't know of any standard camera that can output a 1080p60 signal. The only camera that I know of that would be able to do that would be an expensive high speed camera.
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Old October 24th, 2009, 01:29 PM   #62
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Make Believe Cameras

Hi Steve:
I suppose there is not enough investment going into RED Cinema to complete the R & D on their new stuff. I'm in the same position with my SD Card based Solid State Digital Recorder :-( I am glad we didn't publish any pictures on the Internet of our new box design yet.
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Old October 24th, 2009, 01:35 PM   #63
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Quote:
Originally Posted by Aaron Newsome View Post

I don't know of any standard camera that can output a 1080p60 signal. The only camera that I know of that would be able to do that would be an expensive high speed camera.
The Sony F23 will do it and so will the new SRW9000 camcorder, recording to HDCam SR. Lot of money though, and a big bit of kit to lug around the hills!
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Old October 24th, 2009, 01:55 PM   #64
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If you can afford a 9000 you don't worry about compression.
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Old October 24th, 2009, 02:00 PM   #65
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Dear Friends,

When the Sony SRW-9000 was first shown to the public, at NAB 2009, the nanoFlash was attached to the side of the camera.

We had been working with Sony for some time before the announcment. They made a very nice bracket so that nanoFlash becomes a nice attachment.

The nanoFlash is a recommended accessory for the SRW-9000. It is for recording proxies.

But, of course, we know it can be used for recording high quality images, but HDCam SR offers 4:4:4 and we do not.
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Old October 24th, 2009, 02:14 PM   #66
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Hd cam sr & accessories

Hi Dan:
The HDCAM SR Camcorder also records and outputs in 4:2:2. Once the XDR is uncompressed and 10 bit, then it will also be capable of online capture from the HDCAM SR Camera output as a Recorder alternative.
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Old October 24th, 2009, 02:40 PM   #67
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But as we've already heard the Flash won't be able to record the 1080/60P that the camera can also output and record to 422 HDCam SR.
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Old October 24th, 2009, 02:41 PM   #68
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Mark my Red One was 005721 purchased in Jan 09. The rest of the cameras are hype for now. I would suggest sticking with 2/3" broadcast HD camera with either the Nano or XDR. They are a proven system that pay the bills and keep the clients happy.
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Old October 24th, 2009, 02:54 PM   #69
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I know the F23 camera. I wasn't aware that it output a 1080p60. I don't know the SRW-9000 camera. I'll Google it.
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Old October 24th, 2009, 03:37 PM   #70
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It needs HKSR-102 and 103 cards and then does 1080/60P into the SRW-1 dockable recorder.
DisneyNature are using it for a couple of wildlife features in Africa along with a Phantom HD as reported here http://www.sony.co.uk/res/attachment...3895735044.pdf.
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Old October 24th, 2009, 10:00 PM   #71
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Quote:
Originally Posted by Steve Phillipps View Post
But as we've already heard the Flash won't be able to record the 1080/60P that the camera can also output and record to 422 HDCam SR.
Steve
...Hi Steve: True. However regular speed shooting like that in a feature film would be perfectly acceptable to an XDR. EDIT: You could drop down to 720p 60 on the SRW 9000, then output your 60p in that format and intercut that slow mo into a 1080 timeline. Perhaps it could be matched to the 1080 ??

Last edited by Mark Job; October 24th, 2009 at 11:54 PM.
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Old October 25th, 2009, 06:36 PM   #72
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Nice Sony Camera Attachment for the Nano

Quote:
Originally Posted by Dan Keaton View Post
Dear Friends,

When the Sony SRW-9000 was first shown to the public, at NAB 2009, the nanoFlash was attached to the side of the camera.

We had been working with Sony for some time before the announcment. They made a very nice bracket so that nanoFlash becomes a nice attachment.

The nanoFlash is a recommended accessory for the SRW-9000. It is for recording proxies.

But, of course, we know it can be used for recording high quality images, but HDCam SR offers 4:4:4 and we do not.
...I watched the video with the English man in charge of engineering at Sony on the SRW 9000 project introduce the camera. We can clearly see there is a Nano Flash attached to he side of this wonderful camera. I can't quite see exactly how Sony has attached the Nano in this video. Can you post some pictures of this setup which shows the detail of how the Nano is attached ?
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Old October 25th, 2009, 06:41 PM   #73
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The Viper & Slow Mo

Quote:
Originally Posted by Aaron Newsome View Post
Mark there is only one RED camera, the RED ONE. The Scarlet and Epic camera announcements will be later this month. Shooting 2K on the RED ONE uses a sensor cropping scheme, not the full sensor. I researched the RED pretty well before buying my Viper. This was one of the things I loved about the Viper, full sensor in all shooting modes except scope, even in scope mode it uses nearly all the sensor.

I don't know of any standard camera that can output a 1080p60 signal. The only camera that I know of that would be able to do that would be an expensive high speed camera.
...Hi Aaron. Does your Viper do slow mo and if so how fast can it go ?
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Old October 25th, 2009, 06:46 PM   #74
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Dear Mark,

I searched for a photo of the nanoFlash mounted on the SRW-9000. I could not find one.

Sony built a custom bracket for the SRW-9000, using drawings we provided them prior to NAB. We did not build the bracket.
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Old October 25th, 2009, 06:51 PM   #75
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Hi Dan:
OK. Well thanks for trying to get something up. Dan, how much does the basic SRW 9000 camera package cost ?
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