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July 1st, 2007, 01:35 PM | #1 |
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Cineform and 7200 RPM WD MyBook
The WD 7200 RPM 500 Gigabyte USB2 MyBook is now around $129 US street price around town. I bought one and so far it seems to handle two streams of Neo HDV codec video just fine.
My question is this: What Neo settings are safe with a USB2 7200 RPM drive? What about if I use the larger Vegas renderable settings with some of the new higher quality settings? Should I stick with medium quality with this drive? How about High or Film Scan 2 with the larger Vegas renderable format? What can I or can't I do with a USB2 7200 RPM external drive? |
July 1st, 2007, 02:08 PM | #2 |
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Ive used a usb powered drive from my M-65 to capture HDV CineForm, live via p2k many times at FS1...(15MBs average)
the only gotcha is have the space for the m2t and the avi |
July 1st, 2007, 03:48 PM | #3 |
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For external drive, USB2 or Firewire, you can be safe with Filmscan 1 -- Filmscan 2 is overkill. High is also a good choice. Medium, I don't use it..
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July 1st, 2007, 07:37 PM | #4 | |
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Quote:
So far I haven't seen a difference, but then again, I have an older thirty something inch HDTV that may not show off artifacts that might be easy to see on a fifty or sixty inch set. Are there some frame captures available online which might show the difference between different levels of Cineform compression? |
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July 1st, 2007, 08:26 PM | #5 |
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It is my understand that the two "filmscan" modes are there for material that originates as film and overkill for something that originates on an HDV camera. Is that the case?
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July 1st, 2007, 08:55 PM | #6 |
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Medium is in fact better than is was. But we now have pre-compressed data streams, so we have higher quality levels for the most prestine captures. Also the market has changed from early adaptor HDV users looking for a solution, to filmmakers looking for optimium workflows.
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July 2nd, 2007, 07:55 AM | #7 |
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What is a "precompressed data stream"?
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July 2nd, 2007, 09:21 AM | #8 |
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Examples of pre-compressed streams are HDMI from Sony V1U and Canon HV20, HDSDI from Canon XL-H1, and analog output from most HDV camera when the data is captured live. None of these outputs have undergone MPEG compression, nor have they been down-sampled to 4:2:0 (required by HDV MPEG.) We now do a lot of capture of this data, so CineForm is being more commonly used instead of uncompressed, that why the upshift in quality.
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