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October 13th, 2002, 05:44 AM
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Major Player
Join Date: Apr 2002
Location: Lewisburg PA
Posts: 752
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A little late to help, I guess, but one solution is to plan so that the color shifts seem motiviated in some way -- Sony for near stage, xl1 for longer shots, for example. Audiences will accept and not notice as much if the changes appear to be all part of the story . . .
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