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August 19th, 2002, 12:34 PM | #16 |
Major Player
Join Date: Jul 2002
Location: Houston, TX
Posts: 607
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<<<-- Originally posted by barrygoyette : I found an article this morning on the history, technical aspects, and aesthetic of deep focus, at least in how it relates to Greg Toland, cinematographer of citizen kane.
http://www.bfi.org.uk/sightandsound/archive/innovators/toland.html Barry -->>> Great article. I created a PDF file out of it. If anybody would like a copy, please drop me a line. Thanks for the heads up Barry. |
August 20th, 2002, 10:22 PM | #17 |
Obstreperous Rex
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I'm not at home at the moment to reference the book, but there is a great work entitled "The Making of Citizen Kane" which explains a lot of the magic and wizardry employed by Toland and Welles.
Many of the deep-focus shots were accomplished by double or triple exposures, and special split-focus lenses. Pay no attention to that man behind the curtain, |
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