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November 11th, 2006, 01:29 AM
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#1 |
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New Boot
Join Date: Aug 2004
Posts: 12
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HDV vs SDI>Wafian/Kona/BM Decklink
I am starting a documentary and I am looking to shoot for a filmout. I have the H1 and want to know if the increased quality from the SDI to Wafian/Kona/Decklink is worth the added hassle (and $$) of tethering on-set to get D2D capture versus just shooting to HDV 1080 24f.
Anyone do a filmout to 35 from an HDV source? |
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November 11th, 2006, 01:45 AM
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#2 |
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Wrangler
Join Date: Oct 2002
Location: Los Angeles, CA
Posts: 2,100
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How can you do a documentary tethered?
In a doc scenario, I would think that getting the right shot by not being tied down would be infinitely more important than gaining a measure of picture quality that your audience would never notice. In other words, content over picture quality.
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My Work: nateweaver.net |
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November 11th, 2006, 09:10 AM
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#3 |
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Major Player
Join Date: Mar 2004
Location: Roanoke, VA
Posts: 796
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Matt,
View this thread to see our setup. I'll be posting more pictures footage, and comments about the ease/hassle of using it.
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Dave Perry Cinematographer LLC Director of Photography • Editor • Digital Film Production • 540.915.2752 • daveperry.net |
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November 12th, 2006, 12:59 PM
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#4 |
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Trustee
Join Date: Mar 2002
Location: Ann Arbor, MI
Posts: 1,334
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In a recent issue of DV magazine, John Jackman, a
dvinfo.net lurker, has a good article about doing a filmout from the JVC100 and Waifan recorder. John also took some shots using the Canon H1's HD-SDI output and found that was MUCH better than the analog component out of the JVC. The Waifan is fairly expensive and not all that mobile. The lab you choose also has a great deal to do with good final results. I think the lab he used has an Arri laser scanner.
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Jacques Mersereau University of Michigan-Video Studio Manager |
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