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December 24th, 2005, 09:11 PM | #46 |
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Join Date: May 2003
Location: Atlanta GA
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DRAT! I will be shooting this movie until the 15th, But if it's later on I'd love to be involved, hmm does anyone have access to a varicam(or the pixelvision...)? And you're right that we should set up a site, or at the very least a special section on dv info/ hdv info.
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I have a dream that one day canon will release a 35mm ef to xl adapter and I'll have iris control and a 35mm dof of all my ef lenses, and it will be awesome... |
December 26th, 2005, 08:27 PM | #47 |
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Join Date: Oct 2005
Location: UK
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I think we can get into semantics of 24p or 24f or cf24 etc etc. However, the question remains is that are you getting what you want? I mean how many of us are going to be blowing up to 35mm?? 3% at the most maybe more - okay 5%. So who really cares, most of our work goes on DVD, for for DVD, HDV is good enough. My fx1 does CF25 here inthe UK, although it cuts resolution etc, is not 25p, but i'll tell you what - it's damn good. So canon doesn't do 24p, but i'm happy to hear it does a damn good job of 24f.
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December 26th, 2005, 08:34 PM | #48 | |
Obstreperous Rex
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Quote:
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December 26th, 2005, 09:37 PM | #49 |
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Join Date: Aug 2005
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I can't believe this argument is still going on. I can't believe new threads on this subject keep appearing. If you can put it onto an NLE timeline at 24fps, and export it at 24fps, how is it fake 24fps?
We might as well say that if something isn't captured on film it isn't a movie. It's obviously been proven that this camera isn't using some old school frame mode. |
December 26th, 2005, 09:49 PM | #50 |
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Chris, my experiment worked!
i said that in aspiration of you offering a section for it. *smile* - ShannonRawls.com p.s. I'm @ The Grove in the movie theater getting ready to watch King Kong @8pm. lol i'm on dvinfo.net using my i500 cellphone and the BLAZER web browser. my wife is getting pissed. i'm addicted to dvinfo. *smile*
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Shannon W. Rawls ~ Motion Picture Producer & huge advocate of Digital Acquisition. |
December 26th, 2005, 10:01 PM | #51 |
Obstreperous Rex
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Yeah, you're hooked all right. And that's one way of getting my attention! Enjoy Kong,
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December 28th, 2005, 03:12 AM | #52 |
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So, I am now confused, I already allocated $9000 in my budget to buy one XL H1, and now that you decided to do the test, wonder if I should wait or not. If you do it soon enough I will wait, if not I don't think I should.
Shannon, why don't you shoot something with mini35 and post the footage? I really want to see it. Please do so. Because when all of you talk about 24p as something so important for filmlike look, why do you forget about DOF, without it all of 24p is nothing. |
December 28th, 2005, 03:24 AM | #53 |
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Oh, and one more question, it might be stupid but and forgive me, but if I have XL H1 what is the procedure of capturing from tape to my computer, please consider that I have MAC not PC. and I mean to capture 24p, or 24f whatever.
:*) thanks for the answer, if you do so. |
December 28th, 2005, 03:26 AM | #54 |
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Oh, and I have Decklink PRO HD card.
:*) |
December 28th, 2005, 03:52 AM | #55 |
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Location: Basel area, Switzerland
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I can't give you information from first-hand experience, but this is how it should work:
With the Decklink card, you can capture uncompressed 4:2:2 HD via HD SDI directly (while you are shooting) --> Massive amounts of data (~10 GB/min)!! Footage recorded on tape (HDV) can be captured via HDVxDV, afaik. I don't think FCP is capable of capturing HDV directly from the XL H1 at this point, but I'm not sure. I'm sure Apple will fix this in the near future, though. Nick Hiltgen and A.J. deLangue (members on the forum here) have hands-on experience with the XL H1 and a Mac workflow. Maybe they can chime in? |
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