|
|||||||||
|
Thread Tools | Search this Thread |
August 4th, 2006, 01:32 PM | #1 |
Regular Crew
Join Date: Apr 2006
Location: Minnesota, USA
Posts: 39
|
Should I get an XL2?
I'm a junior in high school but I will be getting a job this year so I can get a better camera. I'm guessing I will make about 3,000 dollars during this year and I'd like to get a camera with this money.
So I'm starting to think about which camera I want so I know how much money I'll need, do some research, etc. So I've read a few of the SD vs. HD threads and it doesn't help me solve my problem because I'm in a different situation than most people. I won't be using this for weddings or events. I'll mostly use this to shoot short films, submit to festivals, maybe do a commercial, a birthday party for a friend. Also, this camera is what I will take to film school when I'm done with high school. So I think the XL2 would be a good choice for me because it has very professional features that are absent on the HD cameras around the same price like the FX1. However, since this is what I'll be taking to film school, and I need it to last a few years I don't know if I should sacrifice 24p, lenses, and all the customizable options of the XL2 in order to start out in HD. However, if I did get the FX1 I would end up editing in MiniDV anyway because I don't have the computer power to edit HDV. So do you guys think the XL2 would be the right choice? PS: Although this is the XL2 forum, I'd really appreciate some unbiased advice. Thanks |
August 4th, 2006, 01:40 PM | #2 |
Major Player
Join Date: Nov 2005
Location: Jupiter, FL
Posts: 565
|
Based on what you've said, absolutely. You'll like the fact that you can change lenses.
|
August 4th, 2006, 04:06 PM | #3 |
Regular Crew
Join Date: Mar 2006
Location: Providence,RI
Posts: 26
|
Ernesto
If you want the options of 24p, 16:9 aspect ratio, removable lenses and customzable presets, and looking to spend $3k to $5k then XL2 should be the choice. My reseach for a camcorder lasted 6 months before buying the XL2. After using it for almost a year, I have no regret. This is just my opinion. Try watching the DV Creators XL2 Feature Tour. This is the link it should help you understand the capabilities of the XL2. http://www.dvcreator.net/media/demos...aturetour.html Eb |
August 4th, 2006, 04:14 PM | #4 |
Major Player
Join Date: Jun 2006
Location: chattanooga, tn
Posts: 721
|
Definitely XL2. You'll be able to learn a lot more about shooting since you'll have all the manual controls. The things you'll be able to learn will most definitely carry over into the future when you do go to HD--maybe when HD cameras that offer this level of image control are a bit more affordable, and when HD distribution has become more viable than it is right now.
|
August 4th, 2006, 04:31 PM | #5 |
Regular Crew
Join Date: Apr 2006
Location: Minnesota, USA
Posts: 39
|
What about the DVX-100?
I had completely forgotten about this camera. Seems similar to the XL2 except with no interchangeable lenses. Which of the two do you think would be better for me? |
August 4th, 2006, 04:44 PM | #6 | |
Inner Circle
Join Date: Oct 2004
Location: Port St. Lucie, Florida
Posts: 2,614
|
Quote:
Mike
__________________
Chapter one, line one. The BH. |
|
August 4th, 2006, 04:52 PM | #7 | |
Trustee
Join Date: Oct 2004
Location: Akershus, Norway
Posts: 1,413
|
Quote:
__________________
- Per Johan |
|
August 5th, 2006, 04:26 AM | #8 |
Regular Crew
Join Date: Jun 2006
Location: Paisley, Scotland UK
Posts: 99
|
XL-2 wins hands down....
Get used to cameras with manual focus, manual iris, manual white balance, manual everything, changeable lenses, a decent viewfinder, decent audio options, is upgradeable, can be used flexibly and professionally. My view of HD is that it's not quite there yet, but maybe next year...? That's what I'd do if I was going to film school and was perhaps looking for a career in the film business...
__________________
http://www.myspace.com/theeejit |
August 7th, 2006, 08:41 AM | #9 |
Major Player
Join Date: Oct 2004
Location: NYC
Posts: 649
|
Get a DVX 100A.
__________________
Mark Sasahara Director of Photography |
| ||||||
|
|