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March 7th, 2005, 05:24 AM | #1 |
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Cinelook from Italy
Hi everybody!
Finally I can post my first test about Canon XL2 Cinelook... It's a kind of tribute to David Lynch... I shooted in countryside a very bad and cloudly day, with 20x lens, manual focus, flat cine settings, PAL 25p, widescreen. Then I edited it in Premiere Pro 1.5 using Magic Bullet Editors to correct the color. No any kind of grain settings. Here many Americans can read my post: I love the look and the feeling of US movies; I'm not speaking about themes and stories, but only about Photography and color correction. I think US movies have a fantastic image impact. In Italy there are several beautifull movies, wonderfull stories (life isi beautifull...) but our images are poor, flat. I'm saying that, to introduce my test: I tried to simulate as I can as it's possible these american images. I'd like to read your impression, critic and feelings. Thanks everybody. Michele Lombardo my test: http://utenti.lycos.it/canonxl2/Sant...20Lynchano.avi right click "save as..." |
March 7th, 2005, 09:39 AM | #2 |
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Looks like you used two settings from Magic Bullet.
Some desaturation setting and a brown one. Very Nice! |
March 8th, 2005, 01:22 AM | #3 |
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No other replies?!...
I'm curious to know what you think... thanks
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Michele Lombardo Milan - Italy |
March 8th, 2005, 08:22 AM | #4 |
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Hi Michele,
Your footage looks realy good! I realy like the colors you used. It sets a beautifull tone. I'm also a big fan of color grading. I correct every project I make. My thought about it is that you can set a final mood with colors. And that's why I use it. My inspiration comes from french movies, such as Amelie and Vidocq. Also the Lord of the Rings is a very good example. Take a look at the making of. I believe you find it on on of the special edition DVD's. There's a whole chapter about Digital Grading. I'm currently doing manual color grading in Discreet Combustion. Because you have the tools of the high-end machines such as Flame and Inferno. The reason I use Combustion is that I want total control and because I mainly do leader packages at work. But for a long movie, the best solution is Magic Bullet, cause you can use it in Premiere. I saw Lustre at work on the IBC in Amsterdam... talking about Color Grading.... http://www4.discreet.com/lustre/
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------------------------------------- Messing up your pixels in your time, with your money! |
March 8th, 2005, 12:04 PM | #5 |
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Wells it's about time someone posted some Pal footage. It really looks great. I was stunned when i found out there was no adapter on that footage. It's really amazing and it looked like the image from 28 Days Later. Now i can't wait to get me Xl2. Could post some footage and maybe what the raw footage looked like?
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March 8th, 2005, 08:03 PM | #6 |
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cant see it
I downloaded it, but WMP seems to not be able to find a codec???
Jed |
March 9th, 2005, 01:16 AM | #7 |
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It's encoded with a DivX codec...
Downloaded from DivX.com
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Michele Lombardo Milan - Italy |
March 10th, 2005, 04:24 AM | #8 |
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Hi Everybody, I uploaded an high quality version...
it's about 25 mb... always DivX http://utenti.lycos.it/canonxl2/Sant...ynchano_HQ.avi Right click, save as... I'm waiting for your impressions!!
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Michele Lombardo Milan - Italy |
March 10th, 2005, 04:17 PM | #9 |
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I thought it was very "French New Wave". I love the look of this camera with Magic Bullet.
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Alain |
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