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October 29th, 2006, 11:07 AM | #16 | |
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Yes I would assume the auto mode would do much like the still camera, change shutter speed etc for best shots. And thanks for telling me which camcorder you use, I just asked that in another reply. And it seems from all the replies and further reading I have done since posting this that the A1 will be much like the XL's in this matter, which would be nice. I think I will be an all canon person after this, as my DSLR's are all Canon. <Smiling> I know what you mean about selling. I had thoughts of selling the VX2100 when I make this jump, but I too am a bit lazy in that dept. I still have a brand new Canon Elan 7 and 2 10d's, that I have stashed and never even considered selling after upgrading to the mkII's. Thanks Jerry |
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October 29th, 2006, 03:08 PM | #17 | |
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Mine will be in shortly. I will compare it to my FX-1. I also own the HV-10 and the colors are excellent!!!!!!!!!!!!!!!!!!!!! Can't wait.
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October 29th, 2006, 06:42 PM | #18 |
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Thanks Lou....color is important also.
I will look forward to your comparison. I had thought the FX-1 way was how I would go at first but then realized it had been out for a long time and decided to look for newer technology. Thanks Jerry |
October 29th, 2006, 08:41 PM | #19 | |
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That's not a valid comparison--the GL2 is a 1/4" chip camera and the VX2000/PD150 have 1/3" chips. |
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October 30th, 2006, 08:07 AM | #20 |
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If I recall, it was more of a color issue, than a lowlight issue ... so I'll be interested to see if the new Canon is just as distinct, in a color / softness of picture sense.
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January 8th, 2008, 02:39 PM | #21 |
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comparison sony vx2100 vs sony hvr a1u
can anybody tell me just how bad the low light capability is on the sony hvr a1u? i know that it is a relative question but basically here is my situation: Im searching for a camera in the $2500 range. after all of my research i find the sony hvr a1u, the sony vx 2100, and the canon gl-2 in my price range. I thought the a1u was the winner but have recently been turned off by the reviews on the low light capability. Now im very new to this whole scene, so when they say it is bad can it video good quality in a candle lit room cause i really need something that can video in low light. is the vx2100 (3CCD) the better choice in this situation? I know i would be sacrificing HD for SD. also does the vx2100 have the XLR input capabilities like the a1u? thats important to me. please someone help the newby!!!!
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January 9th, 2008, 03:10 AM | #22 | |
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January 9th, 2008, 07:12 AM | #23 | |
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The VX2100 does amazing things in low light, and if your final output is standard def DVD then the resolution isn't noticably different from down-converted HD (to the typical viewer). It does not have XLR inputs -- you can add an XLR adapter like a Beachtek box, or get a PD170 which is the same camera but with more pro features. You might want to consider a used one. VX2100's regularly come up for sale on DVinfo, and they're typically very well cared for. Its also a tank, and the heads supposedly last 1000-1500 hours so buying used can make a lot of sense. You should be able to see the classified section after you've been a member for 30 days and have made a few posts (not sure what the minimum is). -Terence |
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January 9th, 2008, 08:10 AM | #24 |
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FWIW on LUX ratings.
There is an industry standard (EIA-639 I believe) for consumer camcorder LUX ratings, but it is not clear whether or not any manufacturers follow it for any given camcorder, from what I've seen, they often use their own standard that mays not map to other makers standards (or even their own for other camcorder lines) but is one that allows good marketing spin. If the spec does not cite the EIA standard, it probably was not used. As I understand it the EIA standard was developed for NTSC camcorders and does not really address MiniDV or HD formats. The measurement standard for consumer gear is something like: 1/60 shutter speed (for NTSC) Auto exposure and auto white balance mode on. Zoom near wide (a maximum aperture for the lens setting) A bright white target produces a 50 IRE luma level. A 2% white target produces 4-10 IRE (i.e., NTSC black remains NTSC black, not applicable to DV formats where black = 0 IRE). Chroma level for a red target is at least 25% of the bright illumination level Not less than 17 dB luminance signal to noise ratio measured using an 18% gray target Resolution is at least 70% of bright illumination case. And that is not a very good picture. Full up professional gear uses a different measurement standard that includes a brighter picture, and much better signal to noise ratio.
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