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August 24th, 2006, 07:50 PM | #46 | |
Inner Circle
Join Date: Sep 2004
Location: Sacramento, CA
Posts: 2,488
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August 24th, 2006, 08:48 PM | #47 | |
Major Player
Join Date: Jul 2003
Location: Warren, NJ
Posts: 398
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Panasonic did a table that took the four sensors (960x540p, 1280x720p, 960x1080i, and 1440x1080i), and applied two factors: 1.5x for green shift (h and v on sensor 1, h on 3 and 4) and 70% vertical resolution on interlaced sensors. This resulted in 1440x810, 1280x720, 1440x756. and 2160x756 respectively. However, the recording formats are 1440x1080 Y for 3 and 4, 1280x720 Y for 2 and 960x720 Y for 1. And the chroma sampling was effectively 720x540 for 3 and 4, 640x360 for 2 and 480x720 for 1. The Steve Mullen article that Barlow referenced indicated that in their native storage mechanisim (HDV and DVCProHD), the chroma samples recorded are below the resolution of the CCDs, and comparable between the formats. In that analysis, coupling the sensors with the recording format yields rather similar recorded resolutions. If this information was valid, the recorded information would be between 1440x756 and 1280x720, about 15%. However the chroma sampling may favor the 1080i recording format. None of this deals with motion compression though. Or dynamic range net of compression. Personally, I would love to see direct to Cineform recording in the camera. If that was a $3k option on the A1 (a C1?), would you buy it over a G1? Is there a way to objectively measure the lens differences between the cameras? Last edited by David Ziegelheim; August 24th, 2006 at 09:18 PM. |
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August 24th, 2006, 11:26 PM | #48 | |
Obstreperous Rex
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I think this topic has outlived its original purpose. Let's please move forward with discussions that are more appropriate to this community, as in how to use this gear and what are we creating with it. Enough of this pointless "which one is better" crap. Thanks in advance, |
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