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View Poll Results: Between the XH G1 and XH A1, which one would you buy? | |||
XH G1 for $7000, because I need the pro jacks and SDI. | 40 | 10.00% | |
XH A1 for $4000, I don't need those pro jacks nor SDI. | 360 | 90.00% | |
Voters: 400. You may not vote on this poll |
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October 14th, 2006, 07:41 AM | #106 |
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Yes, I realised what you meant as the replies came in Victor. But having an aperture control ring around the lens is more historical convention than it is a photographic desirability in my view.
DSLRs have long since abandoned the aperture ring around the lens, and cameras like the Z1 have replaced it with a beautifully damped, knured alloy knob thet's excellently placed to 'roll' your thumb across to imperceptably change aperture. tom. |
October 15th, 2006, 10:28 PM | #107 |
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I understand what you mean Tom, yet all the 35mm cinema lenses have manual ring for iris opening and for good reason. I also think, when it comes to professional, moving image acquisition, ARRI/ZEISS is much higher standard then DSLRs and Z1.
Vic |
December 6th, 2006, 06:12 PM | #108 |
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In January 2006, I was looking toward the Panasonic HVX200 but I thought the P2 cards was too expensive in my opinion. So, I waited until November and was looking at the Canon XH-A1 vs Sony FX-7. The price for the Sony FX-7 was basically $1000 cheaper than the Canon XH-A1, but I really like the features on the Canon XH-A1. I placed an order for the Canon XH-A1 last Friday and it came in stock on Monday and will arrive tomorrow. I can't wait until tomorrow, it will be a early Xmas for myself.
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December 6th, 2006, 11:51 PM | #109 | |
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Quote:
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December 17th, 2006, 04:39 PM | #110 |
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Honestly, I was leaning toward the FX1 because it was cheaper but honestly 800 lines of res (Canon's 24f) versus 500 lines (Sony's 30CF) well I think we know where this is going. I've seen great thing's produced with both but if I ever do a screen from digital projection I would really prefer 800 LOR. Even if I'm just doing an HDDVD or something. The A1 has it all, (at least all that I would want) so I'm going for that one.
-Nate |
January 4th, 2007, 11:51 PM | #111 |
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Well that's it, I quit sitting on the fence and finally got the XH A1. I was going back and forth between the V1U and A1, and couldn't decide what I liked better: the color of the V1U image or the image detail in the A1. The whole dilemma was solved by a great price from Steve Nunez.
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January 5th, 2007, 06:03 AM | #112 | |
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January 5th, 2007, 09:17 AM | #113 |
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Yeah, there's nothing to not like about the A1 (other than that you have to go to the menu to turn on and off the OIS, as you do with many other 1/3" chip cameras). Excellent price too.
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January 5th, 2007, 02:48 PM | #114 | |
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Quote:
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January 5th, 2007, 09:30 PM | #115 |
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Thanks guys, I'm off to some tropical islands through the middle of February. I'll make sure to post some footage.
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January 27th, 2007, 11:30 AM | #116 |
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Congrats Michael - I'd be buying the A1 as well (unless Sony comes up with a working fix for the 25p mode of the V1E).
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February 6th, 2007, 08:17 AM | #117 |
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i really wish if owners of the A1 could be able to upgrade to the G1 anytime !!!
SDI is cooland important when you need it, like shooting chroma at a studio !!! |
February 6th, 2007, 09:02 AM | #118 |
Obstreperous Rex
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But an A1 owner certainly *can* upgrade to a G1, at any time. Here are the steps:
1. Sell the A1. 2. Buy the G1. I don't mean to be facetious, but that is the standard upgrade path and it's always available. |
February 6th, 2007, 09:44 AM | #119 |
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Or buy the G1 in the first place if you do a lot of studio work and need it.
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February 6th, 2007, 01:47 PM | #120 |
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Just had my first real play with a G1 at the Video Forum in London today, and must say I'm most impressed. Could do with a bigger side-screen, but the dedicated buttons, knobs and wheels really poke the V1 in the eye.
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